Maltings Henry Travers
Located on Eastern Lane, The Maltings is the festival’s main hub. The Henry Travers Studio at The Maltings is named after the eponymous film and stage actor, whose best known role was guardian angel Clarence Odbody in the 1946 film It’s a Wonderful Life. The Henry Travers Studio a black-box studio space which can seat up to 120.
BFMAF and artist-run, Brussels-based film and distribution platform elephy invite you to join them for a peer-to-peer roundtable conversation called “Talking Collectively”. Here, artists, filmmakers, arts collectives, producers, distributors, curators, and writers come together to share know-how, triumphs and trials in the field of moving image and visual arts. Register here and propose a question, concern, or talking point on development, creation and (co-)production, distribution and presentation, self-organisation and maintenance.
This event is made possible with the support of the (Re)Connect with the UK grant of Flanders Arts Institute/Kunstenpunt (BE).
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BFI NETWORK partners BFI Doc Society and Film Hub North are hosting an informal talent mixer for independent filmmakers and narrative/doc-curious creatives
BFI Mixers bring together local creatives and provide opportunities for growing your network, finding collaborators and connecting with the filmmaking community. There’s no set agenda for these events; we encourage you to introduce yourself to someone new and get talking.
The event also offers the chance to connect with BFI representatives, hear about regional opportunities and short film funding from Jen Bradfield (BFI NETWORK Talent Executive, Film Hub North) and Luke Moody (Head of the BFI Doc Society Fund).
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The first of two screening programmes animating the work of Basma al-Sharif, BFMAF24 Filmmaker in Focus.
Born stateless and of Palestinian heritage, her work explores cyclical political histories and conflicts. In films and installations that move backward and forward in history, between place and non-place, she confronts the legacy of colonialism through satirical, immersive, and lyrical works.
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Five new films collaboratively combined to form a single work responding to Belgian filmmaker Chantal Akerman’s luminous News From Home (1976). Artists Sirah Foighel Brutmann and Eitan Efrat, Eva Giolo, Rebecca Jane Arthur, Katja Mater, and Maaike Neuville each engage in their own way with the epistolary device of Akerman’s film, as well as recurrent themes of alienation, distance and the mother-daughter relationship.
Nadia El Fani’s pre-Jasmin Revolution espionage fable follows our hero Kalt as she hijacks the airwaves to broadcast political messages from a remote mountain village in Tunisia. Things quickly turn into a sexually charged game of cat-and-mouse with French intelligence officer Julia as the pair struggle with oppositional missions. Brimming with queer and revolutionary potential Bedwin Hacker is keenly critical of the security apparatus of the French state and its targeting of immigrant communities.