Nedarma (Travelling) is a documentary focusing on the Nenets, a nomadic tribe in the northern tundra of Siberia which Anastasia Lapsui was born into. Sumptuous 35mm black and white cinematography captures the landscapes of the Yamal Peninsula and the daily activities of its inhabitants with patience, a visionary perspective and a captivating soundtrack. The film begins by illustrating the Nenets cosmology as a way of leading into a filmic structure that portrays the arc of life from birth to death.

The isolated mountainous region of Tusheti, in Northeast Georgia, is the site for a reflection on the importance of ritual, the maintenance of community ties, and how modernisation and migration are transforming rural landscapes. Shot over several years, Let Us Flow uses inovative audio-visual techniques to make visible the symbolic and physical division of sacred spaces within the community and offers a nuanced perspective on a culture where ancestral shrines are only accessible to men.

In Inuit, the word meaning to bring forth a poem is the same as the word to breathe – an act that inspires Finnish filmmaker Markku Lehmuskallio’s poetic ethnography, co-directed with his son Johannes Lehmuskallio. A beautifully expansive film centred on performance and the importance of song, Anerca, Breath of life was shot over several decades with the indigenous peoples of the Arctic Circle. People and cultures spanning the borders of Finland, Sweden, Norway, Greenland, Canada, Alaska and Russia, the filmmakers are clear to point out, “It wasn’t these cultures that drew up these borders, rights have been violated.” Speaking against these continued infractions, the film magnificently expresses the joy, pain and energy of these individuals and communities through fleeting, magical moments of performance, conversation and cinema.

With understated precision, Markku Lehmuskallio’s The Blue Mammy focuses on the sensitive interplay between sound and image while unfurling a story surrounding Joel, a deaf painter who lives in a small village in Lapland. While he has trouble fitting in with the community of people around him, Joel communes with nature and speaks nonverbally with a spirit. The film distils a wealth of provocative ideas—around artistic creation, alternative forms of communication and the importance of the natural world to human animals—into a stunning filmic tone poem.

Science meets speculative fiction in artist Deborah Stratman’s poetic, associative reflection on evolution and extinction from the point of view of rocks and various future others. Loosely based on two short stories by J.-H. Rosny, considered one of the founding figures of modern science fiction, and thinking with figures from Roger Caillois to Donna Haraway, Stratman troubles the limits of human perception, mining the farthest reaches of the biosphere for (im)material traces that bind past, present, and future.

Cláudia Varejão’s debut fiction film is a luminous ode to queer communities on the Azores island of Sao Miguel. Culturally specific and delicately nuanced, Wolf and Dog follows protagonist, Ana, as she navigates the stifling forces of religion and tradition in pursuit of the passions and butterflies of new desire. Mirroring Ana’s journey of self-discovery, Varejão’s initially observational style slowly gives way to something more lush and experimental, capturing the gentle unfolding of young love finding its first voice.

Funny, gross and outrageously over-the-top, Jon Moritsugu’s cult classic is a maximally irreverent slice of early 90s punk culture satirising representations of the Japanese-American family unit. Newly restored from eyeball-scorching Panavision, this is Moritsugu’s Asian freak-out magnum opus that shocked America when it was broadcast on television in the mid-90’s. The director himself plays twins (a drug-dealing bad-ass and a closeted math nerd) in a radically dysfunctional family that completely obliterates the noble myth of the “model minority”.

An anthology of stories made collaboratively with the Nenets, an indigenous nomadic people of the Russian tundra under modern Communist rule. Beautifully composed from both archive material and cinematography, the film blends fiction and documentary to produce a vivid portrait of Nenets culture as told and performed by the people themselves. As the first feature film made in the Nenets language, Seven Songs makes an important contribution to contemporary indigenous cinema and a timely intervention into continuing calls for decolonization in Russia.

Drawing on a wealth of unseen archival material and unpublished notebooks, Being in a Place weaves a complex and personal portrait of Margaret Tait’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium. At the centre of the film is an imagining of an unrealised script for a feature film discovered amongst Margaret’s documents in Orkney titled, Heartlandscape: Being in a place – a document of a landscape, and of a journey through it.

Inspired by the Bad Student movement calling for educational reform in Thailand, Arnold Is a Model Student follows the titular protagonist as he joins forces with the rebellious Bee and an underground syndicate of misfits helping students cheat on their exams. This accessible yet subversive debut feature from Sorayos Prapapan pivots deftly between moments of absurdist humour and heartfelt, urgent gestures of cinematic protest. Combining dramatic details from his own childhood with footage from contemporary news and social media, Prapapan acknowledges a continuum of generational experience and the interplay between reality and fiction.