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Maltings Henry Travers

Located on Eastern Lane, The Maltings is the festival’s main hub. The Henry Travers Studio at The Maltings is named after the eponymous film and stage actor, whose best known role was guardian angel Clarence Odbody in the 1946 film It’s a Wonderful Life. The Henry Travers Studio a black-box studio space which can seat up to 120.

Access

  • Disabled parking spaces available in the public car park in front of the venue
  • Level and ramped access is located to the far left of the front entrance
  • Power assisted doors at the front entrance
  • Volunteers & Venue Staff will be present throughout opening hours.
  • Lift located in the foyer with access to all floors
  • Adapted toilet on floor -3
  • The Main House has a fixed number of wheelchair spaces, which we recommend pre-booking at Box Office
  • Guide dogs are warmly welcomed
  • If you need any additional information or you’d like a large print version of our brochure, please contact the Box Office as we can print these for collection upon request.
  • Baby changing facilities are located on floor -3 (accessible by lift).
  • The Maltings supports the rights of women to discreetly breastfeed in all public areas of the building.

Eastern Lane, Berwick-upon-Tweed, TD15 1AJ

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Sunday 10 March, 17:00

Isabelle Stengers: Building hope on the edge of the abyss

(Isabelle Stengers: Fabriquer de l'espoir au bord du gouffre)

A mysterious house and a magical forest are staging for a playful portrait of Belgian philosopher Isabelle Stengers. Seated amongst verdant overgrowth, dusty ephemera and the occasional stray cat, Stengers expands on the ideas that have shaped her life and work. Intimate and pleasurable, the film delivers an empowering and hopeful message about how to survive in a world of ruins and the potential of collective action.

Country

Run Time

76 mins

Year

2023
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Sunday 10 March, 15:15

A special conversation event with Basma al-Sharif, BFMAF24 Filmmaker in Focus.

Born stateless and of Palestinian heritage, her work explores cyclical political histories and conflicts. In films and installations that move backward and forward in history, between place and non-place, she confronts the legacy of colonialism through satirical, immersive, and lyrical works.

Run Time

60 mins
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Sunday 10 March, 13:15

A Radical Duet (2023) imagines the meeting, in 1940s London, of two anti-colonialist women who channel the revolutionary fervour and ideas of the time into writing a play. Following the screening, Onyeka Igwe invites the audience to take part in a communal reading and discussion of Maskarade (1973), a play by the Caribbean theoretician, playwright, novelist and intellectual Sylvia Wynter whose biography and theorisations were vital in the development of this film and the larger research project which propose storytelling as essential to imagining the world otherwise.

Run Time

78 mins
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Saturday 9 March, 20:00

An intimate, multifaceted portrait of the Krahô people indigenous to northeastern Brazil. Made in close collaboration with the community, The Buriti Flower sketches the rhythms, dreams and ways of being connecting families working to protect their land from the cyclical violence of encroaching settlements. Blending observational documentary and staged scenes, it depicts the flow of life on a continuum of ever-replenishing strength and resistance.

Countries

Run Time

124 mins

Year

2023
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Saturday 9 March, 16:30

Basma alSharif’s first feature film is an experimental homage to the Gaza Strip and to the possibility of hope against hopelessness. Departing from the ancient symbol of the ouroboros – a snake eating its own tail – the film follows a man moving through different landscapes in search of a past lover. A multilingual journey through time and space reflecting on recurrent patterns of destruction and regeneration, representation and erasure.

Director

Run Time

77 mins

Year

2017
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Saturday 9 March, 14:00

Marking the centenary of her birth, BFMAF presents a new restoration of the seventh and final feature of Leida Laius, one of Estonia’s most distinctive directors. The tenacious Valentina, recently freed from prison in Soviet Russia, heads back to her native Estonia on a quest to find her son Jüri. A Stolen Meeting touches on powerful themes of migration, rootlessness, reconciliation and motherhood at the end of the Soviet Era.

Director

Country

Run Time

101 mins

Year

1988
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Saturday 9 March, 11:00

Maria Fusco is a working-class writer who grew up during the Troubles in Belfast. This Propositions event clashes together two BBC TV plays and an artist’s film to explore the ongoing legacies of censorship, voice and socio-cultural velocity with particular reference to the BBC’s broadcasting ban of 1988 to 1994 of Northern Irish (largely Nationalist) politicians.

The event title is a quote from Reginald Maudling, Secretary of State for Northern Ireland, 1970-72

Run Time

137 mins
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Friday 8 March, 20:00

Nadia El Fani’s pre-Jasmin Revolution espionage fable follows our hero Kalt as she hijacks the airwaves to broadcast political messages from a remote mountain village in Tunisia. Things quickly turn into a sexually charged game of cat-and-mouse with French intelligence officer Julia as the pair struggle with oppositional missions. Brimming with queer and revolutionary potential Bedwin Hacker is keenly critical of the security apparatus of the French state and its targeting of immigrant communities.

Director

Countries

Run Time

99 mins

Year

2003
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Friday 8 March, 17:00

Five new films collaboratively combined to form a single work responding to Belgian filmmaker Chantal Akerman’s luminous News From Home (1976). Artists Sirah Foighel Brutmann and Eitan Efrat, Eva Giolo, Rebecca Jane Arthur, Katja Mater, and Maaike Neuville each engage in their own way with the epistolary device of Akerman’s film, as well as recurrent themes of alienation, distance and the mother-daughter relationship.

Friday 8 March, 14:00 • Sunday 10 March, 10:45

The first of two screening programmes animating the work of Basma al-Sharif, BFMAF24 Filmmaker in Focus.

Born stateless and of Palestinian heritage, her work explores cyclical political histories and conflicts. In films and installations that move backward and forward in history, between place and non-place, she confronts the legacy of colonialism through satirical, immersive, and lyrical works.

Run Time

94 mins
More Info