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12 Results Clear Filter
3 – 5 March, 10:00 – 17:00  •  Free Entry

SCREENTIME brings together two commissioned short works made with artist Kimberley O’Neill and young filmmakers in Berwick. Through a series of online and in-person workshops, the filmmakers experimented with digital filmmaking and documentary techniques to produce films exploring the relationship between people, technology, and the local environment.

Friday 3 March, 15:00

The isolated mountainous region of Tusheti, in Northeast Georgia, is the site for a reflection on the importance of ritual, the maintenance of community ties, and how modernisation and migration are transforming rural landscapes. Shot over several years, Let Us Flow uses inovative audio-visual techniques to make visible the symbolic and physical division of sacred spaces within the community and offers a nuanced perspective on a culture where ancestral shrines are only accessible to men.

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Country

Run Time

63 mins
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Friday 3 March, 17:00

A programme of short works traversing hallucinatory dreamscapes, contested landscapes, and the precarious movements of bodies through time and space. Argentinian auteur Lucrecia Martel screens alongside contemporary artists, Basim Magdy, Marwa Arsanios and Fox Maxy.

Run Time

80 mins
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Friday 3 March, 17:30

Three short works by young filmmakers in Berwick, made collaboratively with artists Kimberley O’Neill and Kathryn Elkin. Applying techniques of digital filmmaking and documentary storytelling, the films explore entangled relationships between people, technology and the local environment.

Run Time

60 mins
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Saturday 4 March, 10:30

Christopher Ulutupu is an artist of Samoan/Niuean/German descent currently residing in Wellington. Through a richly pop, queer and celebratory Pacific lens he creates new narrative forms opening up conversations around collaboration, connection, and disconnection. The Pleasures of Unbelonging is a new commission presented by CIRCUIT with support from TAUTAI, Creative New Zealand and BFMAF. Following its world premiere screening Christopher will be in conversation with May Adadol Ingawanij, Professor of Cinematic Arts at University of Westminster.

Run Time

60 mins
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Saturday 4 March, 13:15

A series of hypnotic, fragmentary encounters reflecting on creativity, desire, identity and transformation. Forms of transgressive potentiality are explored through poppers training videos, VHS tapes documenting an esoteric musical subculture, and a night of ritual shapeshifting in a Boston parking lot.

Run Time

65 mins
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Saturday 4 March, 17:00

Inner and outer space interpolate in this series of films exploring relational dynamics between public and private worlds. Instagram filters, YouTube tutorials, dating apps and a wearable eye tracker become interfaces through which to perceive shifting notions of bodily autonomy in contemporary life.

Run Time

60 mins
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Saturday 4 March, 19:45

What is to be done when our homes and our dreams have been invaded? Graeme Arnfield’s nightmarish essay film traces the curious history of the doorbell, from its invention and reinventions through 19th century labour struggles, to the nascent years of narrative cinema and contemporary surveillance cultures. Home Invasion paints a terrifying portrait of technological ideologies and imaginaries shaping our everyday lives, staging a confrontation with the reality of machines and systems that work against us, hindering the emergence of radical futures.

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Country

Run Time

92 mins
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Sunday 5 March, 12:30

An in-person screening-performance by award-winning Iranian artist, Maryam Tafakory, whose textual and filmic collages interweave poetry, documentary, archival, and found material.

“To the outsiders, the bystanders, the virtual onlookers, to the disaster capitalist, the hopeless, the failed revolutionist—from wherever you are standing, come a step closer and listen as we try to rewind, to fast forward, to pause, to look away…”

Run Time

60 mins
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Sunday 5 March, 14:15

Three concentrated doses of cinematic pleasure. Artists in this programme meditate on storytelling and agency, synthesising practices of filmmaking and living to suggest new forms of intergenerational care. The ways we interpret our collective selves are explored through tender engagements with technologies of record and remembrance.

Run Time

65 mins
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Sunday 5 March, 16:00

Drawing on a wealth of unseen archival material and unpublished notebooks, Being in a Place weaves a complex and personal portrait of Margaret Tait’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium. At the centre of the film is an imagining of an unrealised script for a feature film discovered amongst Margaret’s documents in Orkney titled, Heartlandscape: Being in a place – a document of a landscape, and of a journey through it.

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Country

Run Time

59 mins
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Sunday 5 March, 17:30

John le Carré meets Derek Jarman in this subtle meditation on the complex relationships between the development of British espionage and male homosexuality. Based on extensive research and voiced by actor Ben Whishaw, Ungentle draws on the life stories of famous historic operatives from the mid–20th century, from Anthony Blunt and Guy Burgess to Noël Coward and Hardy Amies, exploring the tensions between loyalty and lust that ran parallel in the lives of spies and gay men.

Run Time

65 mins
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