A programme of short works traversing hallucinatory dreamscapes, contested landscapes, and the precarious movements of bodies through time and space. Argentinian auteur Lucrecia Martel screens alongside contemporary artists, Basim Magdy, Marwa Arsanios and Fox Maxy.
Three short works by young filmmakers in Berwick, made collaboratively with artists Kimberley O’Neill and Kathryn Elkin. Applying techniques of digital filmmaking and documentary storytelling, the films explore entangled relationships between people, technology and the local environment.
A series of hypnotic, fragmentary encounters reflecting on creativity, desire, identity and transformation. Forms of transgressive potentiality are explored through poppers training videos, VHS tapes documenting an esoteric musical subculture, and a night of ritual shapeshifting in a Boston parking lot.
A presentation of Helena Solberg’s debut short films (1962-64) alongside her 1982 feature From the Ashes: Nicaragua Today which brings a multi-layered feminist perspective to a political and societal portrait of the country following the 1979 insurrection that overthrew the Somoza dictatorship. Her shorts, made during one of the most repressive moments of the Brazilian military dictatorship, examine the unliveable conditions experienced by communities under oppression and emphasise women’s agency as active protagonists in the living and telling of their own stories.
Inner and outer space interpolate in this series of films exploring relational dynamics between public and private worlds. Instagram filters, YouTube tutorials, dating apps and a wearable eye tracker become interfaces through which to perceive shifting notions of bodily autonomy in contemporary life.
An in-person screening-performance by award-winning Iranian artist, Maryam Tafakory, whose textual and filmic collages interweave poetry, documentary, archival, and found material.
“To the outsiders, the bystanders, the virtual onlookers, to the disaster capitalist, the hopeless, the failed revolutionist—from wherever you are standing, come a step closer and listen as we try to rewind, to fast forward, to pause, to look away…”
Three concentrated doses of cinematic pleasure. Artists in this programme meditate on storytelling and agency, synthesising practices of filmmaking and living to suggest new forms of intergenerational care. The ways we interpret our collective selves are explored through tender engagements with technologies of record and remembrance.
John le Carré meets Derek Jarman in this subtle meditation on the complex relationships between the development of British espionage and male homosexuality. Based on extensive research and voiced by actor Ben Whishaw, Ungentle draws on the life stories of famous historic operatives from the mid–20th century, from Anthony Blunt and Guy Burgess to Noël Coward and Hardy Amies, exploring the tensions between loyalty and lust that ran parallel in the lives of spies and gay men.