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Walter Saxer

Walter Saxer is a Swiss Film Producer who began his film career in the late 60’s when he met the young German director Werner Herzog. With no prior experience, Saxer helped with the production of Herzog’s second feature Even Dwarfs Started Small (1970) and became enraptured by the challenge of visualising the “impossible”. He moved to Germany where he quickly became acquainted with artists who were part of the German New Cinema wave including Herbert Achternbusch, Reiner Fassbinder and of course Werner Herzog, with whom he collaborated for most of his career. Saxer eventually took a leading role in the production of iconic films like Aguirre The Wrath Of God (1972) and Fitzcarraldo (1982). It was during the making of Fitzcarraldo that he got to know the penal colony “Sepa Nuestro Señor de los Milagros” – a mandatory checkpoint before traveling to the Camisea location in Central Peru, where the steamboat of Fitzcarraldo was hauled over the mountain. After completion of the film Saxer returned to the Amazon to document the surreal place that had captured his heart and imagination. In the mid 90’s, he decided to make the Peruvian Amazon his home and today lives in the city of Iquitos where he manages a small hotel “La Casa Fitzcarraldo ” hidden in a luscious garden – a product of his relentless fight against the ongoing deforestation that is destroying the jungles.

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front of the magazine with one door open

The Magazine

Berwick’s gunpowder magazine appeared on the map in 1751 and is located to the east of Ravensdowne Barracks.

Thank you to English Heritage for allowing us the use of their spaces for exhibition venues.

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3 – 5 March 2023  •  Free Entry

As chilling as it is absurd, Kamal Aljafari’s Paradiso repurposes found footage from Israeli military propaganda and turns it into a fictional drama of men playing at war. Aljafari takes the title from a short story by Borges and describes the work as a “cinematic self-portrait” – questioning our interpretation of screen violence, its relationship to real-world horrors, and troubling our positionality as spectators.

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Run Time

18 mins

Year

2022
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