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Gala Hernández López is an artist-researcher and filmmaker. Through interdisciplinary research and the production of essay films, video installations and performances, her work explores new modes of subjectivation, specifically as produced by computational digital capitalism. From a feminist and critical lens, she examines discourses and imaginaries circulating in virtual communities and their relationship to states of being in the world. Her work has been shown at DOK Leipzig, Cinéma du Réel, IndieLisboa, the Clermont-Ferrand Short Film Festival and the Salon de Montrouge, among others. Her film The Mechanics of fluids is selected for the César awards 2024.
for here am I sitting in a tin can far above the world (2023), The Mechanics of Fluids (2023)
When markets crash, connections fail and logic boards burn out, what becomes of our augmented selves? A programme of films reflecting the impact of technologies on human identity, consciousness, love and society under late capitalism.
