Two films set in liminal spaces of exile. In the wake of dispossession, when dreams are deferred and memories bring pain, small acts of collective speaking generate new threads of resistance, liberation, and hope.
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Gelare Khoshgozaran is an undisciplinary artist and filmmaker whose work engages with the legacies of imperial violence manifested in war, militarization and borders. They use film and video to construct peripheral narratives that seek to redefine existing constructions of ‘home’ as a means of approaching new conceptualisations of belonging. Khoshgozaran has presented their work internationally, with recent and upcoming exhibitions at Delfina Foundation, Images Festival, EMPAC, MASS MoCA and the Hammer Museum. With a BFA in Photography from University of Arts in Tehran (2009), and an MFA from University of Southern California (2011), they are assistant professor of New Genres at the UCLA Department of Art.
The Retreat (2023), To Be the Author of One’s Own Travels (2023), To Keep the Mountain at Bay (2023), Royal Debris (2022), Memories of Loitering (2021), MEN OF MY DREAMS (2021), Medina Wasl: Connecting Town (2018), rial & tERROR (2011)
Two films set in liminal spaces of exile. In the wake of dispossession, when dreams are deferred and memories bring pain, small acts of collective speaking generate new threads of resistance, liberation, and hope.
Shine bright. Portraits of a nomadic musician and an animatedly-perverse single father butt up against a simulacrum of the Middle East and a tactile inquiry into the natural world. Taken together, expressions of personal, political, spiritual, mystical and sexual agency provide powerful statements of either resistance to or complicity in an increasingly commodified world.