Two films set in liminal spaces of exile. In the wake of dispossession, when dreams are deferred and memories bring pain, small acts of collective speaking generate new threads of resistance, liberation, and hope.
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Razan AlSalah is a Palestinian artist and teacher based in Tio’tia:ke/Montreal, investigating the material aesthetics of dis/appearance of places and people in colonial image worlds. Her work has shown at community-based and international film festivals & galleries including Art of the Real, Prismatic Ground, Blackstar, RIDM, HotDocs, Yebisu, Melbourne, Glasgow and Beirut International, Sharjah Film Forum and Sursock Museum. Razan teaches film and media arts at the Communication Studies department at Concordia University.
Director: A Stone’s Throw (2023), Canada Park (2019), Your Father Was Born 100 Years Old, and So Was the Nakba (2017)
Cinematographer: Queer Genuis (2019), The Last Refugees (2018), Paco (2016)
Two films set in liminal spaces of exile. In the wake of dispossession, when dreams are deferred and memories bring pain, small acts of collective speaking generate new threads of resistance, liberation, and hope.