Su Hui-Yu

Filmography

Adapted from historical texts, the narrative in the two-channel video artwork Super Taboo came from a pornographic publication, which was previously known as xiaoben (“a small book”), with the same title. In addition to illegal copies of pornographic photos from Japan and Western countries, the undisguised description of erotic scenes is now a mesmerizing vernacular Chinese literature. In this video, the renowned actor Chin Shih-Chieh guides the viewers into a surreal erotic scene by playing the role of an urban white-collar worker who mutters the plots of the “small book” in his hands.

Filmmaker Su Hui-Yu leads us back to the 1980s when he was an adolescent in Taiwan. Pornographic content was then edged to the periphery of the audio-visual system and merely tolerated by late night shows, secret rooms in video rental shops, or inconspicuous corners in bookstores. However, banned pornographic content tended to put greater erogenous temptation in our way than that freely accessible to us did. Su’s fascination with this subject matter is reminiscent of Georges Bataille, who was interested not so much in the pleasures of the flesh but what is classified as ‘dirty’. Physically pleasant sensation seems to be perilous and ergo requires the endorsement by the transcendental love or a social context as the foundation.

20 September 2018

Sensory, colourful and widescreen, the forest is already naturally cinematic.

Since the turn of this century, the forest has fascinated a new generation of global art filmmakers who have chosen the forest as a space for their creative exploration. ‘Screening the Forest’ takes nature as its point of departure by weaving together cinematic forests from India, Japan, Singapore, South Korea, Taiwan, Thailand, Vietnam and the Philippines. In some cases, the forest may even refer to nothing but a world construed as its own territory.

Like the real forest, where many genuses of trees coexist, the programme emphasizes that cinema is constructed not only culturally and aesthetically, but also ecologically or even animistically. As new strategies and interpretations of the forest emerge from a variety of Asian filmmakers, new trees can be sowed within our own imagination.

Q&A with curator Dr. Graiwoot Chulphongsathorn

Run Time

86 mins
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