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The maltings cinema entrance in the nighttime

Maltings Main House

Located on Eastern Lane, The Maltings is the Festival’s main hub. The Main House is a traditional cinema with seating for over 300.

Access

Venue Introduction

This a large venue on 4 floors which includes a theatre and cinema, The Maltings Cafe Bar and the Henry Travers Studio. It’s a busy venue with a programme of films and theatre. This venue offers step-free access to all spaces and has a lift.

Entrance

There is ramped access on the left side of the main entrance or 8 wide steps with handrails on both sides. Their are either push doors at the main entrance or power assisted doors with a push button on the left side.

This entrance takes you to the foyer of the venue with a box office desk directly in front, the Henry Travers Studio through a door to the left and The Maltings Cafe Bar through a door to the right.

To access the theatre and cinema auditorium you need to either take the lift or the stairs. The lift is yellow and it is to the right as you come in. The stairs are also on the right with a yellow handrail on one side.

You need to take the lift to the lower levels or go down the stairs.

Venue Physical Access

Steps and Lifts: To access the theatre and cinema you need to get the lift or stairs to the lower ground levels. The lift has a maximum capacity of 630kg and can fit one wheelchair or mobility scooter at a time. The circle has an accessible seating section which is on the -1 lower ground level. This is accessible via the lift or down 16 stairs. There is more accessible seating options in the stalls which is on the -2 lower ground level. This is accessible via the lift or down 32 stairs and through the stage bar. If you are sitting in a non step-free seat, there are stairs to the seats and they have silver contrast edgings. All stairs outside and inside the auditorium have a handrail.

Room Description: A large theatre auditorium with a stage and cinema screen, raked seating, additional seating on a circle mezzanine and in boxes.

Doorways: Doorways into the auditorium are 112cm wide.

Seating: Fixed auditorium style padded seating with padded seat and back and no arms. Loose chairs with padded backs and seats and no arms, spaces for wheelchairs.

Temperature: Heated and warm, not much ventilation.

Venue Sensory Access

Lighting: Lighting in the stairways, corridors and theatre bar are from shaded lamps and are generally dim and warm. There are some bright round shaded fluorescent lights on the walls of the corridor on -3 level and in the toilets. In the auditorium it will be softly lit with a large colourful splash screen projected. There will be very low music playing.

Flooring: Smooth grey-beige carpets.

Sound: It is a large space and the ambient noise before, after and during breaks from people chatting can be quite loud.

Patterns: The walls in the corridors are white or red and are made from a combination of large blocks and small bricks creating a grid-like pattern. There is contrast between the red walls and chairs and the vertical black beams and gold features in the auditorium.

Smell: Neutral

Temperature: Heated, warm, hot

Toilets

There are gendered toilets on the -1 lower ground level. There is an accessible adapted toilet with babychange facilities and gendered toilets on the -3 lower ground level. All toilets are accessible via the lift or down the stairs with a handrail. The doorways of the toilets are 91cm wide.

Food/Drink

There is food and drink available at the Cafe Bar on the ground floor. The opening times are;

‘Opening hours for 2025 :

Tuesday – Saturday 9.30am – 4pm

Lunches served from 11.45am – 2.45pm

Drinks and home baking served until 3.45pm

Sundays/Mondays – CLOSED

There will be a bar service available one hour before every show/film.’

There are also drinks available at the Theatre Bar on the -1 lower ground floor level before and during events.

Emergency Evacuation

There are multiple emergency exits throughout the building, including step-free emergency exits, marked by illuminated green signs which will take you either to the outside of the building or external refuge points. Follow the signs and the directions by staff in the case of an emergency. The closest step-free emergency exit in the theatre is back through to the theatre bar and through a corridor exit marked with a green emergency exit sign. The closest step-free emergency exit in the Henry Travers Studio is through the marked emergency exits within the studio into a glass corridor which leads out to the carpark. The emergency meeting point is across the road outside the Sports Direct.

Address

Eastern Lane, Berwick-upon-Tweed, TD15 1AJ

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Programme at Maltings Main House


Sunday 30 March, 19:30

Streetwise hustler Antonio wanders the streets of Buenos Aires in search of money and sex – taking lovers to bed and stealing from them as they sleep. Only his tempestuous mother provides the force that may one day push him to leave the city towards new, alternative forms of happiness. Sacha Amaral’s debut feature is a searing, slow-motion portrait of hedonism and discovery overflowing with characters who sink fully and luxuriously into their authentic selves.

Director

Countries

Run Time

94 mins

Year

2024
More Info
Sunday 30 March, 16:30

Departing from the Syrian Revolution, before moving through other moments of revolution and experiments in autonomy from 1936 Spain, Angola, and Palestine, to the Paris Commune, the essay film Mapping Lessons reflects on attempts to dismantle the forces of neocolonialism, both internal and external, in the hopes of preparing for the next time.

Run Time

88 mins
More Info
Sunday 30 March, 12:15

A programme of new cinema inspired by the hallucinogenic properties of flowers, archival dissonance, and tales of a grumpy entity who talked only because it could not growl.

Run Time

88 mins
More Info
Sunday 30 March, 10:30

On the centenary of the founding of the moving image, Sylvia Wynter gave a speech building on V.Y. Mudimbe’s critical observation of the occident’s violent act of “submitt[ing] the world to its memory” through image-making.

Assia Djebar, once Frantz Fanon’s collaborator at the National Liberation Front’s journal El Moudjahid, is a rarely recognised force reclaiming that memory through film.

Run Time

70 mins
More Info
Saturday 29 March, 20:00

A double wedding in a small village turns to high drama when one bride runs away and the other refuses to go on with her marriage. Stars in Broad Daylight remains banned from screening in Syria because of its subversive representation and critical voice exposing how the violence of a patriarchal society seeps into the family unit.

Director

Country

Run Time

105 mins

Year

1988
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Saturday 29 March, 15:00

In the mind of an eleven year old girl, a single phone call erases her entire life. Iva Radivojevic’s subtle drama reconstructs fragments of childhood memory to trace currents of loss and trauma that followed her family’s displacement from the former Yugoslavia. With a dreamlike structure and a wistful, unsettling atmosphere, When The Phone Rang unearths dissonant relationships between history and memory.

Director

Countries

Run Time

73 mins

Year

2024
More Info
Saturday 29 March, 13:00

Telepathy, waterways and ban♡its obsessed with Heath Ledger’s Joker connect a programme of new cinema exploring representations of family, intimacy and ancestral memory.

Run Time

85 mins
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Saturday 29 March, 10:30

The final piece of a trilogy exploring the memories and sounds of subterranean spaces, Oda Kaori’s haunting docudrama follows a mysterious figure stalking the borderlands between darkness and light. This poetic study of landscapes finds its anchoring deep in the Okinawan gama caves where stories of life emerge from layers of ancient rock – blooming in the shadows of unspeakable human horror.

Director

Country

Run Time

82 mins

Year

2024
More Info