Rhea Dillon (based in London) is an artist, writer and poet. Using video, installation, images, painting and olfaction, she examines and abstracts her intrigue of the “rules of representation” as a device to undermine contemporary Western culture. She is particularly interested in the self-coined phrase ‘Humane Afrofuturism’ as a practice of bringing forward the humane and equality-led perspectives on how we visualise Black bodies. Her work has been featured at a number of art and film institutions internationally, including The British Film Institute, 198 Gallery, Somerset House, Mimosa House, Blank 100 (London); Red Hook Labs, Aperture Gallery (New York); Red Bull Film Festival (Los Angeles); Sanam Archive (Accra, Ghana). She is an Associate Lecturer at Central Saint Martins (London) and the co-founder and curator of ‘Building The Archive: Thinking Through Cultural Expression’, a talk series that celebrates Black creative practitioners and their contributions to visual culture within arts and design higher education.

Myriam Mouflih is a film programmer and sometimes writer from Glasgow, UK. Her research has focused predominantly on Artists Moving Image from the African continent and the diaspora. Since 2017, Myriam has programmed for Africa in Motion Film Festival and served on the committee of Transmission Gallery from 2018-2020. She is also a member of the LUX Scotland Advisory group and was on the jury for the Margaret Tait Award 2020/21.