Guatemala

Shot at the furthest point of a motorcycle trip Barbara Hammer took to Guatemala in 1975, and stitched through with Maya Deren’s reflections of failure, encounter and initiation in 1950s Haiti, Deborah Stratman’s Vever (For Barbara) is a cross-generational binding of three filmmakers seeking alternative possibilities to power structures they’re inherently part of. Grown out of abandoned film projects of Hammer and Deren, Stratman’s film acts as a vever—a symbolic drawing used in Haitian Voodoo to invoke a Loa, or god—in offering tribute to kindred spirits and radical women of different eras. —Deborah Stratman

Director

Run Time

12 mins