17th Berwick Film & Media Arts Festival


9 – 12 September 2021

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Thanks to all who have entered films to this autumn’s festival. We will let you know about the selection status of your film by the 9th of August.

The Unseen River

Available online

17 September – 11 October, 2020

Following on from his widely screened and hugely accomplished 2019 short Blessed Land, Phạm Ngọc Lân’s The Unseen River cements the Vietnamese filmmaker’s place as one of the most bold and unique visionaries of contemporary new cinema. The film explores the magic, beauty and intensity of the Mekong River by following several humans and one animal as they all traverse its banks. A young couple visit a pair of monks in a futuristic temple; two former lovers reunite by chance years after their affair; and a spunky black-and-white dog deftly navigates the river landscape tying them all together. Magic and melodrama mix and meld mellifluously along the Mekong.


Giòng Sông Không Nhìn Thấy (The Unseen River)

An introduction from filmmaker Phạm Ngọc Lân

The Unseen River

Two more “M” words: memory and melancholy. The rushing Mekong is often compared to the flowing of time itself. Yet while time ostensibly flows in a forward direction, we regularly experience currents that drag our memory to and fro, strong pulls of an inescapable undertow lurking beneath the surface. The woman and the fisherman reminisce about their affair 30 years earlier, their conversation about separation, time and loss punctuated by wistful folk music. At the same time, the young, tattooed couple express their difficulty projecting their relationship into the future: “[Our parents] want us to hurry [to get married] but we can’t decide yet. Not because we’re not in love. We just can’t see our future.”

Though the characters express an abundance of uncertainty, Phạm Ngọc Lân’s filmmaking is confidently assured. Gentle, subtly kinetic camera movements seem to guide the viewer along as if by hand, with delicate zooms into the faces of each character conveying their inner emotions better than any dialogue ever could. In a brisk twenty minutes, The Unseen River establishes a remarkably-crafted atmosphere, a minimal yet engrossing narrative and characters who feel fully-fleshed and roundly dimensional. A huge part of that is certainly down to the performances. The woman is played skillfully and to full emotion by veteran film and television actress Minh Châu while the young couple’s naturalistic performances are delivered by creators/influencers Naomi & Wean. The pair also provide the kiss-off of an end credit song, the blustery indie-folk-rap mash-up “Retrograde”. The Unseen River comprises part of Mekong 2030, an anthology film of five shorts from different Mekong region countries produced by Luang Prabang Film Festival in Laos. —Herb Shellenberger

Phạm Ngọc Lân is a Vietnamese film director with a background in urban planning and architecture. Lan’s debut short film ‘The Story of Ones’ (2011) has been screened in numerous film festivals and art museums. His first two short fiction films, ‘Another City’ and ‘Blessed Land’ both premiered at the Berlinale Shorts Competition. His newest short film ’The Unseen River’, which is part of the anthology project ‘MEKONG 2030’, will premiere at the Pardi di Domani in Locarno Film Festival. Currently, Lan is developing his first feature film Cu Li Never Cries. 


  • Giòng Sông Không Nhìn Thấy / The Unseen River – 2020 – 23’
  • Một Khu Đất Tốt  / Blessed Land – 2019 – 19’
  • Another City / Thành Phố Khác – 2016 – 25’
  • The Story of Ones  I  Chuyện Mọi Nhà – 2011 – 11’


Phạm Ngọc Lân

UK Premiere
SDH Captions

Production Countries

Laos Vietnam

Production Year



23 mins

Dialogue Language


Subtitle Language



Wouter Jansen

Print Contact

Wouter Jansen

PODCAST — Episode 12, recorded

Phạm Ngọc Lân in conversation with BFMAF programmer Herb Shellenberger about the film ‘The Unseen River’.