The Vision Machine

Here Ahwesh’s heterogeneous textual approach comes to the fore, as she juxtaposes narrative, faux documentary, comedic and ‘serious’ footage, and merges film, video, and Pixelvision. Suggestions and meanings accumulate: austere, theoretical text is interrupted by shots of women relating bawdy (sexist) jokes; classic R&B music plays while women stomp on records and pour alcohol on the floor. The Vision Machine is a fragmented enquiry into issues of gender, language and representation.

Production Year

1997

Director

Peggy Ahwesh

Country

United States