Who Is Afraid of Ideology? Part 4: Reverse Shot
This fourth chapter of Arsanios’ Who is Afraid of Ideology? series continues a collaborative investigation of anti-capitalist ideas around property and land ownership in Lebanon. The film’s figurative reverse shot reflects land as an autonomous, living object that inherently resists notions of property. Instead, matter and land become witness to the interconnectedness of the geological, the historical, the legal and the agricultural – generating an ecology of thought centred around land as a site of communalisation and rehabilitation.