Audacious and sprawling. Borderless and liberatory. Eduardo William’s follow-up to The Human Surge (2016) (there is no part 2) is a freeform odyssey of sociality and technology shot entirely on a 360-degree camera.

“Unflinching about global woes of wealth disparity, environmental catastrophe, and exhaustion, [Williams] imagines alternative ways of living, rethinking the vast possibilities of the world through new practices of seeing, hearing, and being together.” -Andréa Picard