Live Event — 6 October 2020, 20:00
Filmmakers in Focus: Izza Génini in conversation
A pioneering filmmaker in Moroccan cinema, Izza Génini presents four films as part of our Filmmaker in Focus programme. For this special event she will be joined in conversation by writer and curator Omar Berrada and filmmaker and writer Yasmine Benabdallah with 2020 programming fellow Myriam Mouflih.
This event can be watched back here and on our twitch channel.
Discover Izza’s films at the festival here.
Live Event Participants:
Izza Génini (1942, Casablanca) is a film director and producer based in Paris. Before turning to cinema, Génini studied Literature and Foreign Languages at the Sorbonne and at the School of Eastern Studies in Paris. She is a pioneering figure in Moroccan documentary and founded the distribution company SOGEVAL, producing and distributing Moroccan and African cinema. Her influential films grapple with themes such as her Moroccan-Jewish heritage, diasporic identity and the wide variety of socio-cultural contexts of music in Morocco.
Yasmine Benabdallah is a filmmaker and writer born and raised in Morocco. She studied Film and Mathematics at Columbia University for four years before moving to Paris to attend the Experimental Programme in Political Arts at Sciences Po (SPEAP). Through filmmaking, visual art, and writing, she explores stories around memory, identity, dance, heritage, diaspora, borders, archive, and rituals. Her films and installations have been shown in France, Egypt, the US, and Palestine, and she has participated as artist-in-residence in Morocco, France, Palestine and Tunisia. In 2016, she directed her first film, The Travel Curiosity, based on her father’s love for travelling. Other works include the short film Observational (2018) which explores images of surveillance; Ojalá: la vuelta al origen (2019), a feature documentary on the dance of the Palestinian diaspora of Santiago, Chile, and Its people, its sky, its scent (in production), a video installation on finding Chile in Palestine. She is currently working on Moussem Trans(e), a documentary on a Moroccan pilgrimage between religion, sorcery, and trans identities, as well as Chebba, a hybrid short about a Moroccan family and a protective ritual.
Omar Berrada is a writer and curator, and the director of Dar al-Ma’mûn, a library and artists residency in Marrakech. His work focuses on the politics of translation and intergenerational transmission. He has curated exhibitions in Rabat, Marrakech, Rotterdam, Berlin, Dubai, and New York. He has authored a book of poems, Clonal Hum (2020), and edited or co-edited several volumes, including Album – Cinémathèque de Tanger, a survey of film in Tangier and Tangier on film (2012), The Africans, about racial politics in Morocco (2016), and Ahmed Bouanani’s posthumous history of Moroccan cinema, La Septième Porte (2020). Currently living in New York, he teaches at The Cooper Union where he co-organizes the IDS Lecture Series.