Berwick Film & Media Arts Festival 2020

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Thank you for joining us for the 16th Berwick Film & Media Arts Festival! We would love to hear about your festival experience – please fill in our audience survey here. Don’t forget that event recordings, essays and podcasts will remain accessible on our website. Thanks to all viewers, guests and artists who contributed in making this a truly lively, communal film experience. We look forward to welcoming you to the 17th edition in 2021!

Vibrations in Upper Atlas

Available online

17 September – 11 October, 2020

Daily life in the Aït Bouguemez Valley is documented in this film by Izza Génini. Nestled in the Atlas mountains, the residents of this small village work the land in time with the natural rhythms of the landscape. Sound and tempo are part of the composition of daily life where ancient celebrations are passed down through generations.

In this Programme:

Vibrations in Upper Atlas

(Izza Génini, 1993, 27 mins)

Introduction

Vibrations in Upper Atlas

An introduction from filmmaker Izza Génini

Vibrations in Upper Atlas

With the coming of spring, a village in the Atlas mountains comes to life. As the melody of the zamar floats through the air, people work the land and sheep roam. Snow melts to a rumbling stream. The composition of the landscape and the buildings that sit within it become central to the viewer’s understanding of this place.

Due to the large Muslim population in Morocco, the musical traditions that Génini has shown in her other films have been deeply connected to Muslim celebrations. But the Amazigh people of the Aït Bouguemez valley’s cultural heritage pre-date the arrival of Islam in Morocco and the folklore of their tribe is much more connected to the natural elements of the world.

While Génini’s other films have often focused on big occasions and celebrations, Vibration en Haut Atlas shows the rhythms of everyday life for the people in this mountainous region. Singing and music seem to be part of the composition of daily life. Celebrations are connected to nature and the land – the dance of ahwach connects the people to the cosmos, representing the movement of the planets and a cleansing ceremony of fire signifies the end of the evening’s festivities.

The pace at which language changes becomes apparent, as Génini refers to the place as “Berberland”, berber being a catch all term to describe the pre-Arab inhabitants of North Africa. The name by which these people call themselves, Amazigh, is still unspecific, and doesn’t necessarily denote the varied communities living in North Africa.

While in her other films Génini often focuses on the voice or drums as the central carriers of rhythm, in Vibration en Haut Atlas, a woodwind instrument is introduced when musician Mohammend Ben Aïssa is depicted playing a zamr, a sort of double clarinet made of wood.Tambors, a drum made from goat skin, play a crucial part in the ceremony of the valley. By drawing attention to the materials of these instruments, Génini shows how life in rural areas has differed from in cities—highlighting an interdependent relationship between the land and the people that live on it: the rhythms of nature and people synchronising. —Myriam Mouflih

Izza Génini (1942, Casablanca) is a film director and producer based in Paris. Before turning to cinema, Génini studied Literature and Foreign Languages at the Sorbonne and at the School of Eastern Studies in Paris. She is a pioneering figure in Moroccan documentary and founded the distribution company SOGEVAL, producing and distributing Moroccan and African cinema. Her influential films grapple with themes such as her Moroccan-Jewish heritage, diasporic identity and the wide variety of socio-cultural contexts of music in Morocco. 

Filmography

Nûba d’or et de lumière (Nûba of gold and light, 2007), Tambours battant (With Drums Beating, 1999), Pour le plaisir des yeux (For the eyes’ delight, 1997), Voix du Maroc (Voices of Morocco, 1995), Concerto pour 13 voix (Concerto for 13 voices, 1995), Retrouver Oulad Moumen (Return to Oulad Moumen, 1994), Gnaouas (1993), Nuptiales en Moyen Atlas (Nuptials in Middle-atlas, 1993), Vibrations en Haut Atlas (Vibrations in High-atlas, 1993), Moussem (1991), La route du cédrat (Citron, fruit of splendour, 1991), Rythmes de Marrakech (Rhythms of Marrakech, 1989), Malhoune (1989), Chants pour un Shabbat (Songs for a Shabbat, 1989), Cantiques Brodés (Embroidered Canticles, 1989), Louanges (Hymns of Praise, 1988), Des luths et délices (Lutes and delights, 1988), Aïta (1988)

Director

Izza Génini

Production Countries

France Morocco

Production Year

1993

Duration

27 mins

Dialogue Language

Arabic

Subtitle Language

English

Print Contact

Izza Génini