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A critical look at the evolution of Irish psychiatric institutions across the 20th century, examining the confluence of carceral, therapeutic and socioeconomic incentives that determined their influence.
Our current Vertical Screen Commission is If One Of Those Dots Stopped Moving Forever by Uma Breakdown. Catch the 3 min film through the window of The Burr of Berwick on 22 Bridge Street.
Join us at Magdalene Fields Golf Club for a Friday night freak out with Junglehussi.
Two powerful, de-centering works from Eri Makihara that challenge the dominance of conventional cinematic forms and representations of disability.
Curated by artist-filmmaker Gail Pickering, Unsettled Grounds brings together works by graduates of the Goldsmiths MA Artists’ Film & Moving Image, each engaging with landscapes in states of transformation—whether shaped by environmental change, personal histories, or industrial decline.
Brooklyn-based artist-writer Ayanna Dozier works across film, performance, and installation using auto-fiction, surrealist, conceptual, and feminist methods.
Her current research and artwork examines how transactional intimacy redistributes care from the private sector into public, social, and political relations.
In the mind of an eleven year old girl, a single phone call erases her entire life. Iva Radivojevic’s subtle drama reconstructs fragments of childhood memory to trace currents of loss and trauma that followed her family’s displacement from the former Yugoslavia. With a dreamlike structure and a wistful, unsettling atmosphere, When The Phone Rang unearths dissonant relationships between history and memory.
Until his final days, Frantz Fanon was deeply shaken by the murder of his friend Patrice Lumumba carried out in coordination between Belgian and CIA agents and their Congolese partners. Lumumba’s assassination is the founding violence of neocolonialism that ushered in a new era that we still live today.
Framed by a screening of Raoul Peck’s Lumumba: Death of a Prophet (2000)
A programme of filmic rhythm and blues – of love and fainting cheerleaders, and of our capacity for knowing and feeling in a present infused with trauma.
Telepathy, waterways and ban♡its obsessed with Heath Ledger’s Joker connect a programme of new cinema exploring representations of family, intimacy and ancestral memory.
