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One of Eadweard Muybridge’s earliest contributions to the photographic image were stereographs commissioned by the U.S. Army, capturing their war against the Modoc Tribe in Northern California. These stereographs, many of which were staged, are revisited here through violent collisions of image and sound – generating entangled histories of visual technology, genocide and expropriation of Indigenous populations.
Made as part of ‘Endless Love Tapes’ a collaboration between Wendy Clarke and Kim Coleman that asks, “What tools will allow a participatory video project like this, which began in the 1970s, to continue indefinitely?”
In 19th century Paris, at the Salpêtrière Hospital, patients were hypnotized on stage to reproduce the symptoms of hysteria for public audiences. Over a century later, high school cheerleaders are fainting en masse…
Writer and filmmker Philip Rizk is joined by Orsod Malik, Executive Director of the Stuart Hall Foundation, and Mai Taha, Assistant Professor in Human Rights at LSE to explore the work of political philosopher and psychiatrist Franz Fanon through the lens of the region he was radicalised in.
Until his final days, Frantz Fanon was deeply shaken by the murder of his friend Patrice Lumumba carried out in coordination between Belgian and CIA agents and their Congolese partners. Lumumba’s assassination is the founding violence of neocolonialism that ushered in a new era that we still live today.
Framed by a screening of Raoul Peck’s Lumumba: Death of a Prophet (2000)
Miners’ Weekend School (1984) is a six-part documentary produced by Amber Films’ Current Affairs Unit during the 1984–85 Miners’ Strike.
Departing from the Syrian Revolution, before moving through other moments of revolution and experiments in autonomy from 1936 Spain, Angola, and Palestine, to the Paris Commune, the essay film Mapping Lessons reflects on attempts to dismantle the forces of neocolonialism, both internal and external, in the hopes of preparing for the next time.
Departing from the Syrian Revolution, before moving through other moments of revolution and experiments in autonomy from 1936 Spain, Angola, and Palestine, to the Paris Commune, the essay film Mapping Lessons reflects on attempts to dismantle the forces of neocolonialism, both internal and external, in the hopes of preparing for the next time.
For the Berwick Bridge 400 celebrations come and say hello, at our market stand on Berwick Quayside! Our handy, portable film library will feature BFMAF curated films related to Berwick’s historic infrastructure and our commission Enceindre by Luke Fowler.
The Burr is a film library of stories made in and around Berwick – exploring its past and present, thinking of the future. Berwick residents & visitors can look through the films and watch them on demand. Have a chat with our staff who’ll show you something that interests you, if you’re not sure!
The library is an ongoing project, year-round it will pop up in community spaces in Berwick and host The Burr of Berwick events.
We hope the library triggers conversations and gets the ideas flowing. Maybe you know something about Berwick that we don’t!
What film would you like to see made / or to make yourself in Berwick? Could your interests, or work fuel a filmmaking discovery?
