Nadia El Fani’s pre-Jasmin Revolution espionage fable follows our hero Kalt as she hijacks the airwaves to broadcast political messages from a remote mountain village in Tunisia. Things quickly turn into a sexually charged game of cat-and-mouse with French intelligence officer Julia as the pair struggle with oppositional missions. Brimming with queer and revolutionary potential Bedwin Hacker is keenly critical of the security apparatus of the French state and its targeting of immigrant communities.
Programmes
Drop in between 12:00 – 17:00 and respond to material in The Burr’s film library selected by artist Kate Liston. Use prompts devised to uncover new meaning in films and artefacts relating to the region’s historic archives of mining, and strategies Kate uses in her new film project Sinkhole.
Run Time
An open, drop-in conversation inviting responses to the Festival’s programme of films considering what and who we feel responsible for, where a sense of duty lies, and whether this is individual or collectively shared?
With the King’s Own Scottish Borderers Regiment Association, who will be bringing their own converted cine film material, alongside the Northumberland Archives footage of border regiments.
Run Time
The Burr is a new social space, screening library and discussion series named after the local Northumbrian language. Each day we’ll gather to collectively explore different topics with film and with guests. Come along for a giff-gaff!
An open, drop-in conversation inviting responses to the Festival’s programme of films in relation to the complications of home – or hyem in Northumbrian dialect.
When even the most basic understanding of home as residence/shelter is not guaranteed, we open up this theme to an expansive conversation that asks: who has the right to a home? What underlies the commonplace idea of a home? Where does land figure in our perceptions of home?
Run Time
Heiny Srour’s often censored, newly restored work is the only film to document a radical historic moment where the Popular Front for the Liberation of Oman and the Arabian Gulf (al-Jabhah al-Sha’abiyah li-Tahrir ‘Uman wa-al-Khalij al-‘Arabi, PFLOAG) momentarily created a secular, feminist and equalitarian society in Dhofar, Oman. The collectively made film shows how The People’s Army liberated a third of their homeland and built the first road, hospital, waterhole, pilot farm and school in the country.
Artist Debbie Bower (Foundation Press) hosts a drop-in workshop from 12:00 – 17:00 that asks us to envision a new film, and create a poster for it in response to the issues that are important to us.
Run Time
An open, drop-in conversation inviting responses to the Festival’s programme of films, considering environmental grief, care and survival strategies in difficult times – and the flexible binary between who/what and how/where we nurture.
Join us and the Southern Uplands Partnership in an expansive conversation.