With each action performed in complete silence, stretched to the limits of voyeuristic levels of comfort, the simple act of looking is made fragile. A curious exchange is established between spectator, creator, and subject through a careful appropriation and reframing of social media conventions and advertising iconography transposed into a cinematic space—pointing to a cycle of regressive media consumption.

Rajee Samarasinghe (1988, Sri Lanka) is a filmmaker based in the United States. His work tackles contemporary sociopolitical conditions in Sri Lanka through the scope of his own identity and the deconstruction of ethnographic practices. His debut feature, Your Touch Makes Others Invisible, is inspired by his childhood experiences during the Sri Lankan civil war. It received a Sundance Documentary Fund grant in 2019, was invited to Berlinale Talents’ Doc Station, as well as True/False Film Festival’s inaugural PRISM program in 2020. He was named one of Filmmaker Magazine’s 25 New Faces of Independent Film in 2020. Rajee’s work has been exhibited at venues internationally including the Tiger Short Competition at the International Film Festival Rotterdam, New Directors/New Films presented by Film Society of Lincoln Center & MoMA, BFI London Film Festival, FIDMarseille, Festival du nouveau cinéma, Internationale Kurzfilmtage Oberhausen, among others.

Rajee Samarasinghe’s film everyday star screened at BFMAF 2019.

Show Me Other Places (2021), Misery Next Time (2021), the past (2021), Gimhanaye Netra (The Eyes of Summer, 2020) Jeevithaye Mayawa (Imitation of Life, 2020), Untitled (2019), everyday star (2018), Piṭuvahalayā (The Exile, 2018), YI XIANG JU SUO (Foreign Quarters, 2017), The Spectre Watches Over Her (2016), If I Were Any Further Away I’d Be Closer to Home (2016), An Appearance of Fortitude (2015), black widow summer set (2015), The Queen of Material (2014), Untitled (Horse) (2014), 01.39411.999 (2012)