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The maltings cinema entrance in the nighttime

Maltings Henry Travers

Located on Eastern Lane, The Maltings is the festival’s main hub. The Henry Travers Studio at The Maltings is named after the eponymous film and stage actor, whose best known role was guardian angel Clarence Odbody in the 1946 film It’s a Wonderful Life. The Henry Travers Studio a black-box studio space which can seat up to 120.

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23 September 2018

Some Interviews on Personal Matters is one of the first feminist films of Soviet cinema and comes to Berwick freshly restored by Arsenal Berlin. Lana Gogoberidze’s narrative follows Sofiko, a journalist who interviews a wide range of women about their lives, desires and domestic labour. Laying bare the connections between the private and political in almost documentary style, the film focuses on the struggle between Sofiko’s independence and her obligations towards her own family. A powerful performance by Sofiko Chiaureli—who viewers will recognize from her iconic role in Sergei Parajanov’s The Colour of Pomegranates—is at the center of what is a quite personal film for Lana Gogoberidze, one of three generations of Georgian women filmmakers from her mother Nutsa Gogoberidze (an associate of Eisenstein, Dovzhenko and Mikhail Kalatozov in the 1930s) to her daughter Salome Alexi.

Run Time

95 mins
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23 September 2018

Artist, writer and curator Morgan Quaintance presents his new film Another Decade, alongside a programme of material that extends and details themes within it.

Another Decade combines archive and found footage from the 1990s with recently shot 16mm film and standard definition video. Starting from testimonies and statements made by artists and art historians during the 1994 INIVA conference ‘Towards a New Internationalism’, Another Decade ranges across diverse cultural territory, and is propelled by a sense that very little socio- cultural or institutional change has taken place in the United Kingdom since that time.

The dynamic tension explored in the work is between, on the one hand, art world actors speaking a truth to institutional power and, on the other, lived realities of London’s multiracial citizenry. Those who necessarily inhabit a centre of otherness.

These are positions that are drawn out in the selection of films that make up the accompanying programme. A suite of new works made by Quaintance—including a rumination on British Empire and the English countryside set to the words of Jimmie Durham, as well as a work examining the artist’s experiences growing up in South London—will be accompanied by several clips from a video pen pal exchange project facilitated by artist Russell Newell in 1994–95. Exchanged between kids in London and Los Angeles, the videos show participants talking about their neighbourhoods, giving tours of their schools, and discussings aspects of their culture like music, fashion and gangs.

While recent attention paid to the ’90s casts a largely apolitical view over the decade, this range of films seek to exhume evidence buried in the shallow grave of cultural amnesia of another, more political, more iconoclastic and more confrontational decade.

Run Time

114 mins
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23 September 2018

Sophia Al-Maria discusses her diverse practice—particularly the series of moving image works shown in the ‘Temporal Vertigo’ retrospective screening and The Magical State exhibition in The Magazine—with BFMAF associate programmer Herb Shellenberger and 2018 seminar leader Taylor Le Melle. Working at the intersection of cinema and contemporary art, Al-Maria’s practice occupies a singular space within the field of artists’ moving image.

Run Time

60 mins
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