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Maltings Cinema at the Barracks

Sunday 30 March, 14:15

Brooklyn-based artist-writer Ayanna Dozier works across film, performance, and installation using auto-fiction, surrealist, conceptual, and feminist methods.

Her current research and artwork examines how transactional intimacy redistributes care from the private sector into public, social, and political relations.

Run Time

63 mins
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Sunday 30 March, 12:00

Part one of BFMAF Propositions programme looking at the work of artist, educator and activist Stuart Marshall. Stuart’s work challenged misrepresentations of homosexuality during the AIDS epidemic of the 1980s, subverting and critiquing the prevailing language of television and news media.

Run Time

68 mins
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Saturday 29 March, 19:30

Celebrating the work of photographer and filmmaker Marion Scemema through the lens of her close friendship with artist David Wojnarowicz. The screening programme features several of Scemema’s short works, including a newly retrieved and re-edited cut of RELAX BE CRUEL; a seminal document of the Pier 34 warehouse project in New York.

Run Time

115 mins
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Saturday 29 March, 16:00

Departing from a time of coloniality shared by foreign and local powers, where overthrowing a regime is not sufficient to break the shackles that bind.

Framed by a screening of the Victor Jara Collective’s seminal work of political documentary The Terror and the Time (1979) and Moustapha Alassane’s irreverant animated satire Bon Voyage Sim (1966)

Run Time

88 mins
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Saturday 29 March, 14:00

Available Light explores notions of home and belonging in contemporary society. Comprising interviews with workers at the Edo Tokyo Open Air Architecture Museum in Tokyo, and fragments of conversations with renters in that city and London, a productive dialectic opens between the museum’s preserved historical ideal of the domestic and the often unsettling realities of temporary accommodation in modern cities.

Countries

Run Time

30 mins

Year

2025
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Saturday 29 March, 11:30

Until his final days, Frantz Fanon was deeply shaken by the murder of his friend Patrice Lumumba carried out in coordination between Belgian and CIA agents and their Congolese partners. Lumumba’s assassination is the founding violence of neocolonialism that ushered in a new era that we still live today.

Framed by a screening of Raoul Peck’s Lumumba: Death of a Prophet (2000)

Director

Run Time

69 mins

Year

1991
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Saturday 29 March, 10:00

Two participatory art projects from the North East where young people were asked to consider their perception of, and experiences in, local communities in Wooler, Northumberland and Byker, Newcastle. The young artists worked with a filmmaker to explore the rich archives of their local areas, uncovering histories and thinking about their identities in relation to notions of place.

Run Time

69 mins
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