New Cinema
Tracing the fragile, performative labour of communication across political stages and intimate sensory worlds, two films probe how meaning is transmitted, distorted, and sustained through noise.
Run Time
Filmed in Angus, Scotland, Soft Fruit follows migrant seasonal workers on an industrial berry farm as they pick, prepare and transport crops. Candid conversations and scenes of rebellious, collective gathering appear alongside observational footage in shifting visual formats – from high-definition video to 16mm, and CGI inspired by medieval Islamic cosmography – building a layered sense of time and place.
Collaging across media, performance and the archive, two films probe the architectures—material, political, and psychic—that shape Irish identity across borders. From a punative contemporary asylum system to the miasma of surveillance and hostility that shadowed Irish migrants to Britain in the 1970s and 80s, they expose a spectacle of belonging maintained and malformed by its systematic denial.
Run Time
From right-wing propaganda machines to the hidden labour behind “inclusive” audiences, two films by artist Jordan Lord trouble the tangled relationships between disability, labour, and national identity – asking who gets seen, heard, and valued in the American public sphere.