Mary Helena Clark

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Testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities, misusing traditional narrative conventions – the suggestion of a story, the anchoring of actors as characters – and has the viewer constantly questioning who or what they are. Mary Helena Clark uses film languages to articulate a dispersed agency, to reimagine the line between sentient and inanimate, self and other.

Country

Run Time

19 mins