Past (4)
Water, labour, migration and diasporic memory coalesce in a transporting essay film connecting Jamaica and the UK.
In nobody’s word Taylor digitises and disintegrates the family archive in order to reframe accounts, destabilise claims and inhabit spaces between fact and fiction, questioning the narrative impulses that inform the stories we tell.
A programme of new cinema inspired by the hallucinogenic properties of flowers, archival dissonance, and tales of a grumpy entity who talked only because it could not growl.
Telepathy, waterways and ban♡its obsessed with Heath Ledger’s Joker connect a programme of new cinema exploring representations of family, intimacy and ancestral memory.