A double wedding in a small village turns to high drama when one bride runs away and the other refuses to go on with her marriage. Stars in Broad Daylight remains banned from screening in Syria because of its subversive representation and critical voice exposing how the violence of a patriarchal society seeps into the family unit.
Tim Alsiofi’s unflinching document of people sheltering in a city under siege reaffirms the importance of transparency and immediacy in documenting crucially important scenes of unfolding history through moving images.
Marwa Arsanios’ Who Is Afraid of Ideology? focuses on ecology, feminism, social organization, nation-building, war and economic struggle. In its formal construction, the film lays bare some of the documentary form’s devices to create a record of shared living and organising— voiced by those within, and in proximity to, the communities documented. Arsanios presents us with two radical women’s movements and their means of survival as a possible solution to the degradation of the commons and the destruction of the earth.
Q&A with Marwa Arsanios
