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The quiet radiance of everyday acts emerges between a beautiful portrait of a Bangladeshi centenarian and a tender chronicle of a woman choosing a dignified death. This Focus programme touches on themes of ageing, autonomy, and what it means to inhabit—and ultimately release—the body.
From right-wing propaganda machines to the hidden labour behind “inclusive” audiences, two films by artist Jordan Lord trouble the tangled relationships between disability, labour, and national identity – asking who gets seen, heard, and valued in the American public sphere.
Intimate portraits of everyday life and struggle in Bangladesh speak together with playful, inter-textual vignettes exploring the confluence of autobiography and radical history. Together, Naeem Mohaiemen and Molla Sagar‘s films trace how personal memory and political upheaval collide, overlap, and refract across generations.
The Queer Care Caravan is a library of resources, films and events inspired by the use of caravans as a therapeutic retreat. Drop in and explore how care and knowledge are shared to support LGBTQIA+ people’s rights and wellbeing.
Join us for a free workshop exploring care as a range of political practices that involve maintenance, pleasure, conflict, sustenance, and scarcity.
Join a free workshop exploring queer helplines, archives, and sound to imagine futures of community care, facilitated by Conal McStravick.
Telepathy, waterways and ban♡its obsessed with Heath Ledger’s Joker connect a programme of new cinema exploring representations of family, intimacy and ancestral memory.
A programme of new cinema inspired by the hallucinogenic properties of flowers, archival dissonance, and tales of a grumpy entity who talked only because it could not growl.
Part one of BFMAF Propositions programme looking at the work of artist, educator and activist Stuart Marshall. Stuart’s work challenged misrepresentations of homosexuality during the AIDS epidemic of the 1980s, subverting and critiquing the prevailing language of television and news media.
This propositions session features three new works by Morgan Quaintance, bookended by readings from sociologist Laura Harris. Titular film Available Light explores notions of home and belonging in contemporary society. Comprising interviews with workers at the Edo Tokyo Open Air Architecture Museum in Tokyo, and fragments of conversations with renters in that city and London. Seeikokan III and Walking Distance are shorter, ‘miniature’ works produced during the same period of research and production in Tokyo. Filmmaker and translator Chiemi Shimada will lead a Q&A with Quaintance and Harris to conclude the event.
