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Brooklyn-based artist-writer Ayanna Dozier works across film, performance, and installation using auto-fiction, surrealist, conceptual, and feminist methods.
Her current research and artwork examines how transactional intimacy redistributes care from the private sector into public, social, and political relations.
Near the lawless eastern border of Bangladesh and India, a diasporic artist returns with a band of washed up ban♡its obsessed with Heath Ledger’s Joker.
The people are in turmoil. The ground from which their enchanted garden grows is trembling. Between bushes and trees, flowerbeds and fountains, everyone has lost their way.
Water, labour, migration and diasporic memory coalesce in a transporting essay film connecting Jamaica and the UK.
An evolving live video essay from Abiba Coulibaly exploring parallels, strains, convergences and ruptures in on-screen encounters between Black and Arab characters, and the off-screen realities from which they emerged.
Photographer and filmmaker Celeste Rojas Mugica confronts the political weight of images, revisiting her father’s photographic archive developed in exile in Latin America following activist involvement during the Pinochet dictatorship.
An incredible collection of over 2,500 three-minute videos where people discuss what love means to them. Beginning in 1977, the collection continues to expand today with contributions filmed at the 20th Berwick Film & Media Arts Festival 2025.
Our current Vertical Screen Commission is I’ve been trying to reach you by Anna Chapman Parker and Lyndsay Mann. Catch the 4 minute film through the window of The Burr of Berwick on 22 Bridge Street.
Melted into the Sun tells the story of Al-Muqanna (The Veiled One), an 8th-century mystic and revolutionary from Khorasan who fought for a just society – questioning land extraction, hierarchy and property. Al-Muqanna’s proto-socialist ideas and magical practices have reverberated throughout the history of Central Asia.
In the mind of an eleven year old girl, a single phone call erases her entire life. Iva Radivojevic’s subtle drama reconstructs fragments of childhood memory to trace currents of loss and trauma that followed her family’s displacement from the former Yugoslavia. With a dreamlike structure and a wistful, unsettling atmosphere, When The Phone Rang unearths dissonant relationships between history and memory.
