A critical look at the evolution of Irish psychiatric institutions across the 20th century, examining the confluence of carceral, therapeutic and socioeconomic incentives that determined their influence.

Departing from the Syrian Revolution, before moving through other moments of revolution and experiments in autonomy from 1936 Spain, Angola, and Palestine, to the Paris Commune, the essay film Mapping Lessons reflects on attempts to dismantle the forces of neocolonialism, both internal and external, in the hopes of preparing for the next time.

In nobody’s word Taylor digitises and disintegrates the family archive in order to reframe accounts, destabilise claims and inhabit spaces between fact and fiction, questioning the narrative impulses that inform the stories we tell.

Translating as “rising in the east”, Shuruuk follows a dreamlike, diaristic journey from Japan to Tunisia; from Palestine to France.

[2025 Closing Night] Streetwise hustler Antonio wanders the streets of Buenos Aires in search of money and sex – taking lovers to bed and stealing from them as they sleep. Only his tempestuous mother provides the force that may one day push him to leave the city towards new, alternative forms of happiness. Sacha Amaral’s debut feature is a searing, slow-motion portrait of hedonism and discovery overflowing with characters who sink fully and luxuriously into their authentic selves.

[2025 Opening Night] When a supernatural entity plagues a village community in war torn Northern Sri Lanka, a mother loses her son. Set in militarily occupied territory marked by 26 years of civil war, this hybrid docufiction made collaboratively, and secretly, with impacted Tamil communities lyrically examines the stories of missing people. A potent, elliptical protest poem moving with grace and purpose between disparate cinematic forms.