English

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Let us flow

(ვიდინოთ)

The isolated mountainous region of Tusheti, in Northeast Georgia, is the site for a reflection on the importance of ritual, the maintenance of community ties, and how modernisation and migration are transforming rural landscapes. Shot over several years, Let Us Flow uses inovative audio-visual techniques to make visible the symbolic and physical division of sacred spaces within the community and offers a nuanced perspective on a culture where ancestral shrines are only accessible to men.

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Run Time

63 mins

Meriem Bennani’s playful sci-fi trilogy mixes live action, day-glo animation, and a kaleidoscopic score by Fatima Al Qadiri to explore the entangled politics of immigration, state control, and the border zone. Episodes focus on inhabitants of the fictional island of CAPS (short for ‘capsule’), a magnetically sealed megalopolis created to intercept refugees attempting to teleport illegally into the US. Citizens work together to develop new modes of defiance and resistance, harnessing not only emergent biotechnologies but also the liberatory potential of joy and humour.

Director

Run Time

75 mins

Love & Revenge

(غرام وانتقام)

A teenage girl tries to escape her reality using an Instagram filter but her desire to exist freely as an image collapses when she loses control over her avatar. Casting family and friends as fictionalised versions of themselves, Anhar, who studied computer science at the Arab Open University, stages a participatory and reflective exploration of technologies and social media in Saudi Arabia – probing the dynamics between real and virtual, public and private, space.

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Run Time

30 mins

culture

(cultuur)

Belgian filmmaker and cinematographer Fairuz Ghammam’s warm, generous work explores aspects of (auto)biography, shared authorship, and collaborative practices.

Staged as a walk through her hometown, Kortrijk, Culture riffs on these themes, sewing kernels of family history through a narrative, and a gaze, that oscillates between private and public space. How many memories and storylines can coexist?

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Run Time

15 mins

Translating as “Maputo, I Love You”, Brazilian filmmaker Ariadine Zampaulo’s hybrid cine-poem stiches together elements of documentary, fabulation, performance, and soundscape to produce a polyphonic portrait of Mozambique’s capital city. Her camera beautifully captures the flow and rhythms of urban life unfolding over the course of a single day: Revellers spill from nightclubs as workers board commuter trains; tourists and joggers vie for position in the city’s ancient streets; and a local radio station announces the disappearance of a bride.

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Run Time

60 mins

As chilling as it is absurd, Kamal Aljafari’s Paradiso repurposes found footage from Israeli military propaganda and turns it into a fictional drama of men playing at war. Aljafari takes the title from a short story by Borges and describes the work as a “cinematic self-portrait” – questioning our interpretation of screen violence, its relationship to real-world horrors, and troubling our positionality as spectators.

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Run Time

18 mins

Onboard a ferry, a group of passengers cross a river from one side to the other. Manuel Muñoz Rivas’ reflexive, oneiric cine-voyage unfolds as a series of elliptical vignettes in a gently shifting landscape of light and shadows. Through a vaporous fog and half-heard voices we encounter a cast of characters suspended in a floating space. On the water time is expanding and the destination is deferred – motion itself, and the transporting power of images becoming, perhaps, the only certainty.

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Run Time

25 mins

A quiet, atmospheric portrait of an elderly store owner in the small town of Yagi, Kyoto Prefecture. Yu Araki’s camera carefully observes the curiously named Mr. Yagi’s daily routine and interactions with local customers during the last autumn season for his shop, which is no longer in business. Documenting the passage of time in parallel with processes of depopulation, the title Tempo conjures a double meaning; playing on the Japanese word “tenpo (店舗)” which means “store”.

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Run Time

20 mins

Nedarma

(Matka)

Nedarma (Travelling) is a documentary focusing on the Nenets, a nomadic tribe in the northern tundra of Siberia which Anastasia Lapsui was born into. Sumptuous 35mm black and white cinematography captures the landscapes of the Yamal Peninsula and the daily activities of its inhabitants with patience, a visionary perspective and a captivating soundtrack. The film begins by illustrating the Nenets cosmology as a way of leading into a filmic structure that portrays the arc of life from birth to death.

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Run Time

82 mins

A collaborative film made by Berwick Young Filmmakers (a group of local 12–14 year olds). The film was produced over five days of workshops led by artist Kimberley O’Neill, which introduced the group to digital filmmaking and documentary techniques. The film that the Berwick Young Filmmakers have produced together, explores the theme ‘Reworld’—speculating on what life in the year 2031 could be like and imagining how people, technology and nature may change in the near future.

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Run Time

7 mins