Basim Magdy
Basim Magdy is an artist and filmmaker born in Assiut, Egypt.
His work appeared recently in solo and group exhibitions at museums such as Frac Bretagne, Rennes; KM21 Museum for Contemporary Art, The Hague; M HKA, Museum of Contemporary Art, Antwerp; CAPC Museum of Contemporary Art, Bordeaux; MCA Museum of Contemporary Art, Chicago; MAXXI Museum of the 21st Century Arts, Rome; The Museum of Modern Art, New York and Centre Pompidou, Paris. His films are in museum collections including the Museum of Modern Art New York; Centre Pompidou, Paris; Solomon R. Guggenheim Museum, New York; Fondation Louis Vuitton, Paris, France FRAC Ile-de-France (le Plateau), Paris; MAXXI – Museo nazionale delle arti del XXI secolo, Rome; Sharjah Art Foundation, Sharjah; Arter, Istanbul and Mathaf: Museum of Modern Arab Art, Doha mong others.
His films were screened at Tate Modern, Locarno Film Festival, New York Film Festival, International Film Festival Rotterdam, Berwick Film & Media Arts Festival among others.
One of Eadweard Muybridge’s earliest contributions to the photographic image were stereographs commissioned by the U.S. Army, capturing their war against the Modoc Tribe in Northern California. These stereographs, many of which were staged, are revisited here through violent collisions of image and sound – generating entangled histories of visual technology, genocide and expropriation of Indigenous populations.
‘If every person on the planet could make a love tape, then you’d really know what it’s like to be human’ ~Wendy Clarke
Endless Love Tapes (United Kingdom, 2025) is a pilot project by Wendy Clarke (US) and Kim Coleman (UK). Artist Wendy Clarke’s participatory video project, Love Tapes – which she began in 1977 – is an incredible collection of over 2,500 three-minute videos where people discuss what love means to them.
just above the tear duct on each side
A critical look at the evolution of Irish psychiatric institutions across the 20th century, examining the confluence of carceral, therapeutic and socioeconomic incentives that determined their influence.
Over 100 filmmakers and artists from around the world have formed Some Strings, an ensemble of unreleased filmic gestures rooted in Palestine, where poet and teacher Refaat Alareer was targeted by Israeli strikes along with seven members of his family.
A film, installation, and exhibition by artist and filmmaker Harry Lawson, created in collaboration with young inner-city horse riders from Stepney Bank Stables in Newcastle. Reimagining Byker as the Wild West, the project blurs the line between fact and fiction, weaving together recontextualised iPhone footage shot by the riders, archival material from the North East Film Archive, and Lawson’s own cinematography.
The first edition of Berwick Film & Media Arts Festival’s New Cinema Forum is an invitation to artists, filmmakers, critics and arts/film workers to consider new orientations to creating, exhibiting and working collectively. Offering practical ways to sustain and develop your practice and community, the NCF is a relaxed space to reflect and make connections ahead of our Opening Night film.
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When a supernatural entity plagues a village community in war torn Northern Sri Lanka, a mother loses her son. Set in militarily occupied territory marked by 26 years of civil war, this hybrid docufiction made collaboratively, and secretly, with impacted Tamil communities lyrically examines the stories of missing people. A potent, elliptical protest poem moving with grace and purpose between disparate cinematic forms.
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Tourism, war, and sunsets – films in this programme capture flows of life, the imprints we leave as we move and the many selves we encounter when we arrive.