Camara Taylor
camara taylor is an artist and – – – based in Glasgow. They work with their various selves, collaborators and organisations to produce still and moving images, texts and public programmes.
Recent projects include [mouthfeel], Tramway, Glasgow (2024), backwash, Collective Gallery, Edinburgh (2022) ; a rant! a reel!, Cubitt Gallery, London (2021); holus-bolus, 17th Edinburgh Art Festival; IMG_5917 (2021), with Sulaïman Majali, commissioned by the Artists’ Moving Image Festival and suspiration! commissioned by The Newbridge Project, Gateshead, which was a recipient of a 2021 Berwick Film & Media Arts Festival New Cinema Award. Camara has undertaken residencies at organisations including Fonderie Darling (Montréal, 2023), Cove Park (Cove, 2021), Market Gallery (Glasgow, 2020) & National Theatre of Scotland (Glasgow, 2019). They have participated in programmes including Satellites (Collective Gallery, 2020-2022); Curatorial Directions (MAC Belfast, 2019) and Constellations (UP Projects/ FTHo, 2017-18). Camara was a Committee Member at Transmission Gallery from 2016 to 2018 and Programme Coordinator of the Race, Rights & Sovereignty series at The Glasgow School of Art from 2017 until 2021.
One of Eadweard Muybridge’s earliest contributions to the photographic image were stereographs commissioned by the U.S. Army, capturing their war against the Modoc Tribe in Northern California. These stereographs, many of which were staged, are revisited here through violent collisions of image and sound – generating entangled histories of visual technology, genocide and expropriation of Indigenous populations.
‘If every person on the planet could make a love tape, then you’d really know what it’s like to be human’ ~Wendy Clarke
Endless Love Tapes (United Kingdom, 2025) is a pilot project by Wendy Clarke (US) and Kim Coleman (UK). Artist Wendy Clarke’s participatory video project, Love Tapes – which she began in 1977 – is an incredible collection of over 2,500 three-minute videos where people discuss what love means to them.
just above the tear duct on each side
A critical look at the evolution of Irish psychiatric institutions across the 20th century, examining the confluence of carceral, therapeutic and socioeconomic incentives that determined their influence.
Over 100 filmmakers and artists from around the world have formed Some Strings, an ensemble of unreleased filmic gestures rooted in Palestine, where poet and teacher Refaat Alareer was targeted by Israeli strikes along with seven members of his family.
A film, installation, and exhibition by artist and filmmaker Harry Lawson, created in collaboration with young inner-city horse riders from Stepney Bank Stables in Newcastle. Reimagining Byker as the Wild West, the project blurs the line between fact and fiction, weaving together recontextualised iPhone footage shot by the riders, archival material from the North East Film Archive, and Lawson’s own cinematography.
The first edition of Berwick Film & Media Arts Festival’s New Cinema Forum is an invitation to artists, filmmakers, critics and arts/film workers to consider new orientations to creating, exhibiting and working collectively. Offering practical ways to sustain and develop your practice and community, the NCF is a relaxed space to reflect and make connections ahead of our Opening Night film.
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When a supernatural entity plagues a village community in war torn Northern Sri Lanka, a mother loses her son. Set in militarily occupied territory marked by 26 years of civil war, this hybrid docufiction made collaboratively, and secretly, with impacted Tamil communities lyrically examines the stories of missing people. A potent, elliptical protest poem moving with grace and purpose between disparate cinematic forms.
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A programme of new cinema inspired by the hallucinogenic properties of flowers, archival dissonance, and tales of a grumpy entity who talked only because it could not growl.