Deimantas Narkevičius
Deimantas Narkevicius was born in 1964 in Utena, Lithuania and lives and works in Vilnius. He graduated from the Art Academy in Vilnius as a sculptor and spent a year in London in 1992/93. On his return to Lithuania he was concerned with site-specific objects but a strong interest in narrative led him to record interviews and conversations with artists. This process evolved into an exploration of different narrative structures through film and video, the work for which Narkevicius is now best known.Narkevicius is one of the most consistent and widely recognised Lithuanian artists on the international art scene. He represented his country at the 49th Venice Biennale in 2001 and exhibits at the 50th Venice Biennale in 2003 in ‘Utopia Station’ curated by Molly Nesbit and Hans Ulrich Obrist.
Since 1992 he has exhibited extensively around the world in group shows at many significant contemporary art venues and events. He showed at Manifesta II in Luxemburg in 1998 and has exhibited in London, Paris, Brussels, Vilnius, Manchester, Dublin, Vienna, Brussels, Helsinki, Stockholm, Zurich, Rotterdam, Melbourne and many other cities. Solo shows include ‘Either true or fictitious’, at FRAC Pays de la Loire in France in 2003 and ‘Deimantas Narkevicius Project’ at the Munchner Kunstverein, Munich in 2002.
One of Eadweard Muybridge’s earliest contributions to the photographic image were stereographs commissioned by the U.S. Army, capturing their war against the Modoc Tribe in Northern California. These stereographs, many of which were staged, are revisited here through violent collisions of image and sound – generating entangled histories of visual technology, genocide and expropriation of Indigenous populations.
‘If every person on the planet could make a love tape, then you’d really know what it’s like to be human’ ~Wendy Clarke
Endless Love Tapes (United Kingdom, 2025) is a pilot project by Wendy Clarke (US) and Kim Coleman (UK). Artist Wendy Clarke’s participatory video project, Love Tapes – which she began in 1977 – is an incredible collection of over 2,500 three-minute videos where people discuss what love means to them.
just above the tear duct on each side
A critical look at the evolution of Irish psychiatric institutions across the 20th century, examining the confluence of carceral, therapeutic and socioeconomic incentives that determined their influence.
Over 100 filmmakers and artists from around the world have formed Some Strings, an ensemble of unreleased filmic gestures rooted in Palestine, where poet and teacher Refaat Alareer was targeted by Israeli strikes along with seven members of his family.
A film, installation, and exhibition by artist and filmmaker Harry Lawson, created in collaboration with young inner-city horse riders from Stepney Bank Stables in Newcastle. Reimagining Byker as the Wild West, the project blurs the line between fact and fiction, weaving together recontextualised iPhone footage shot by the riders, archival material from the North East Film Archive, and Lawson’s own cinematography.
The first edition of Berwick Film & Media Arts Festival’s New Cinema Forum is an invitation to artists, filmmakers, critics and arts/film workers to consider new orientations to creating, exhibiting and working collectively. Offering practical ways to sustain and develop your practice and community, the NCF is a relaxed space to reflect and make connections ahead of our Opening Night film.
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When a supernatural entity plagues a village community in war torn Northern Sri Lanka, a mother loses her son. Set in militarily occupied territory marked by 26 years of civil war, this hybrid docufiction made collaboratively, and secretly, with impacted Tamil communities lyrically examines the stories of missing people. A potent, elliptical protest poem moving with grace and purpose between disparate cinematic forms.