Monica Mirabile
Zia Anger works in moving images. Her short films have screened at festivals such as New York Film Festival, Festival del Film Locarno, New Directors/New Films, AFI Fest, Maryland Film Festival, Ann Arbor Film Festival, and Vienna Independent Shorts. She has made music videos for various independent artists including: Angel Olsen, Mitski, Julianna Barwick, Beach House, Maggie Rogers, and Jenny Hval; the latter of whom she also toured with as a performer and stage director. In 2018 she began touring a new solo performance that traces the last ten years of her lost and abandoned work, titled My First Film (2015).
Monica Mirabile is a New York based artist whose work explores the physical vocabulary of authority existing at the intersection of choreography, visual art and group dynamics. She is one half of the performance duo FlucT, a collaboration with Sigrid Lauren exploring the psychology of capital obedience in American consumerism through sound and choreography. For 8 years Mirabile has operated a performance studio in Brooklyn called Otion Front Studio, a rehearsal space and performance residency organised with a fluctuating community of artists working through movement.
One of Eadweard Muybridge’s earliest contributions to the photographic image were stereographs commissioned by the U.S. Army, capturing their war against the Modoc Tribe in Northern California. These stereographs, many of which were staged, are revisited here through violent collisions of image and sound – generating entangled histories of visual technology, genocide and expropriation of Indigenous populations.
‘If every person on the planet could make a love tape, then you’d really know what it’s like to be human’ ~Wendy Clarke
Endless Love Tapes (United Kingdom, 2025) is a pilot project by Wendy Clarke (US) and Kim Coleman (UK). Artist Wendy Clarke’s participatory video project, Love Tapes – which she began in 1977 – is an incredible collection of over 2,500 three-minute videos where people discuss what love means to them.
just above the tear duct on each side
A critical look at the evolution of Irish psychiatric institutions across the 20th century, examining the confluence of carceral, therapeutic and socioeconomic incentives that determined their influence.
Over 100 filmmakers and artists from around the world have formed Some Strings, an ensemble of unreleased filmic gestures rooted in Palestine, where poet and teacher Refaat Alareer was targeted by Israeli strikes along with seven members of his family.
A film, installation, and exhibition by artist and filmmaker Harry Lawson, created in collaboration with young inner-city horse riders from Stepney Bank Stables in Newcastle. Reimagining Byker as the Wild West, the project blurs the line between fact and fiction, weaving together recontextualised iPhone footage shot by the riders, archival material from the North East Film Archive, and Lawson’s own cinematography.
The first edition of Berwick Film & Media Arts Festival’s New Cinema Forum is an invitation to artists, filmmakers, critics and arts/film workers to consider new orientations to creating, exhibiting and working collectively. Offering practical ways to sustain and develop your practice and community, the NCF is a relaxed space to reflect and make connections ahead of our Opening Night film.
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When a supernatural entity plagues a village community in war torn Northern Sri Lanka, a mother loses her son. Set in militarily occupied territory marked by 26 years of civil war, this hybrid docufiction made collaboratively, and secretly, with impacted Tamil communities lyrically examines the stories of missing people. A potent, elliptical protest poem moving with grace and purpose between disparate cinematic forms.