A film, installation, and exhibition by artist and filmmaker Harry Lawson, created in collaboration with young inner-city horse riders from Stepney Bank Stables in Newcastle. Reimagining Byker as the Wild West, the project blurs the line between fact and fiction, weaving together recontextualised iPhone footage shot by the riders, archival material from the North East Film Archive, and Lawson’s own cinematography.
A song of the seasons in sign language, Makihara’s poetic documentary follows a group of deaf people who create visual musical space through motion and expression. A girl sings wind through the trees, a woman screams her soul to the sky, and a couple’s love ebbs with the rolling waves.
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Two powerful, de-centering works from Eri Makihara that challenge the dominance of conventional cinematic forms and representations of disability.
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Two participatory art projects from the North East where young people were asked to consider their perception of, and experiences in, local communities in Wooler, Northumberland and Byker, Newcastle. The young artists worked with a filmmaker to explore the rich archives of their local areas, uncovering histories and thinking about their identities in relation to notions of place.
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This propositions session features three new works by Morgan Quaintance, bookended by readings from sociologist Laura Harris. Titular film Available Light explores notions of home and belonging in contemporary society. Comprising interviews with workers at the Edo Tokyo Open Air Architecture Museum in Tokyo, and fragments of conversations with renters in that city and London. Seeikokan III and Walking Distance are shorter, ‘miniature’ works produced during the same period of research and production in Tokyo. Filmmaker and translator Chiemi Shimada will lead a Q&A with Quaintance and Harris to conclude the event.
Departing from a time of coloniality shared by foreign and local powers, where overthrowing a regime is not sufficient to break the shackles that bind.
Framed by a screening of the Victor Jara Collective’s seminal work of political documentary The Terror and the Time (1979) and Moustapha Alassane’s irreverant animated satire Bon Voyage Sim (1966)
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A programme of filmic rhythm and blues – of love and fainting cheerleaders, and of our capacity for knowing and feeling in a present infused with trauma.
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Curated by artist-filmmaker Gail Pickering, Unsettled Grounds brings together works by graduates of the Goldsmiths MA Artists’ Film & Moving Image, each engaging with landscapes in states of transformation—whether shaped by environmental change, personal histories, or industrial decline.