Naeem Mohaiemen
Naeem Mohaiemen’s research-led practice encompasses films, installations, and essays about transnational left politics in the period after the Second World War. He investigates the legacies of decolonisation and the erasing and rewriting of memories of political utopias. Mohaiemen combines autobiography and family history to explore how national borders and passports shape the lives of people in turbulent societies. His work focuses on film archives and the way their contents can be lost, fabricated and reanimated. The hope for an as-yet unborn international left, instead of alliances of race and religion, forms his work.
Solo exhibitions include: Solidarity Must be Defended, Mahmoud Darwish Museum, Ramallah (2017); There is no Last Man, MoMA PS1, New York (2017); Prisoners of Shothik Itihash, Kunsthalle Basel (2014); The Young Man Was, Experimenter, Kolkata (2011); Live True Life or Die Trying, Cue Art Foundation, New York (2009); and My Mobile Weighs a Ton, Gallery Chitrak, Dhaka (2008). Group shows include: Lahore Biennial (2018); Active Forms, Sharjah (2018); documenta 14 (2017); LUX/ICO Artists’ Cinema, UK (2016); 56th Venice Biennale (2015); Kochi-Muziris Biennale (2014); Dhaka Art Summit (2014); Kiran Nadar, Delhi (2013); British Museum (2013); Sharjah Biennial 10 (2011); Lines of Control, Karachi/ Dubai/ Bradford (2009); Chobi Mela V, Dhaka (2009); Home Works 3, Beirut (2005); and Queens Museum of Art, New York (2005). The work is represented by LUX (UK) and Experimenter (India).
[Source] tate.org.uk
A chance to drop-in, meet up and softly extend the themes of the project: community care, self care and palliative care as three pillars of care drawn by lgbtqia+ support groups and alternative healthcare. Pastries and tea included!
An event series, resource and film library inspired by the use of caravans as a therapeutic retreat. Join us throughout the festival as three artists from Scotland, the Netherlands and Canada hosted by BFMAF explore resilient LGBTQIA+ community led care.
Your festival pit stop! Drop in for information about the town and the Festival – or simply warm up, catch up with friends, and take a breather between screenings. Our doors are open 10am–4pm throughout the Festival.
Relaxed Screenings are taking place at the Town Hall Council Chamber, our Relaxed Screen. Films are shown at the same time as screenings at the Maltings’ Cinema at the Barracks.
Intimate portraits of everyday life and struggle in Bangladesh speak together with playful, inter-textual vignettes exploring the confluence of autobiography and radical history. Together, Naeem Mohaiemen and Molla Sagar‘s films trace how personal memory and political upheaval collide, overlap, and refract across generations.
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Spanning Partition to contemporary Bangladesh, this programme journeys through fractured homes and unfinished films to ask how history lingers in bodies, cities, and celluloid. Between memory and the archives, the works trace disappearance, displacement, and the stubborn afterlives of images in the face of erasure.
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The quiet radiance of everyday acts emerges between a beautiful portrait of a Bangladeshi centenarian and a tender chronicle of a woman choosing a dignified death. This Focus programme touches on themes of ageing, autonomy, and what it means to inhabit—and ultimately release—the body.
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A participatory workshop exploring grief, communitarian care, and ways of imaging what we might palliate – led by Toronto/Tkaranto–based artist and community activist Mikiki.
Dub Epistemology is a series of hybrid talks and live audio essays by Ashley Holmes that treat sound as both archive and method—foregrounding movement, repetition, and re-performance as tools to imagine histories that circulate, mutate, and persist through listening, replay, and versioning.
Lesley Loksi Chan’s poignant work of archival intimacy blends fragments of her research notes with the unfinished footage of Lloyd Wong, a man who documented his life living with AIDS in the early 1990s. Rough and unprocessed, her film explores the meaning of queer inheritance, of incompletion, and the act of repeated looking.
A kilted warrior crowns the New York skyline in this joyous tribute to Jesse Rae, a musician from the Scottish Borders who plugged into the electric current of Parliament-Funkadelic. From bringing 80s NYC to a standstill atop the Brooklyn Bridge to shaping seminal hits like Inside Out, Rae fused tartan swagger with transatlantic groove to craft a mythic, pluralist vision of Scotland in the key of funk!
Join us for a full-throttle karaoke party inspired by the unstoppable spirit of Jesse Rae! Expect big tunes and zero inhibitions as we celebrate life, funk and fearless individuality the only way that feels right: loud, joyful and together!