Spanning Partition to contemporary Bangladesh, this programme journeys through fractured homes and unfinished films to ask how history lingers in bodies, cities, and celluloid. Between memory and the archives, the works trace disappearance, displacement, and the stubborn afterlives of images in the face of erasure.
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Lesley Loksi Chan’s poignant work of archival intimacy blends fragments of her research notes with the unfinished footage of Lloyd Wong, a man who documented his life living with AIDS in the early 1990s. Rough and unprocessed, her film explores the meaning of queer inheritance, of incompletion, and the act of repeated looking.




