Maltings Cinema at the Barracks
The Maltings will be undergoing re-development soon and the Maltings Cinema at the Barracks is a temporary cinema and event venue. The Barracks is an 18th Century building.
Documenting the landmark 1995 conference on lesbian and gay sexualities in the African diaspora, Shari Frilot’s seminal film captures a charged gathering of scholars, artists, and activists in dialogue. Through the voices of Essex Hemphill, Urvashi Vaid, Isaac Julien, and M. Jacqui Alexander and others, it crystallises a pivotal moment in diasporic queer history – interrogating Black and queer identity, media production, homophobia, and the contested terrain of Black nationalism.
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Stemming from Cannach MacBride and Conal McStravick’s research with video and performance artist Mikiki, this programme focuses on Collective Care and Self Care, exploring practices of inheritance, resistance, speculation and survival across generations.
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Tracing the fragile, performative labour of communication across political stages and intimate sensory worlds, two films probe how meaning is transmitted, distorted, and sustained through noise.
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Filmed in Angus, Scotland, Soft Fruit follows migrant seasonal workers on an industrial berry farm as they pick, prepare and transport crops. Candid conversations and scenes of rebellious, collective gathering appear alongside observational footage in shifting visual formats – from high-definition video to 16mm, and CGI inspired by medieval Islamic cosmography – building a layered sense of time and place.
Collaging across media, performance and the archive, two films probe the architectures—material, political, and psychic—that shape Irish identity across borders. From a punative contemporary asylum system to the miasma of surveillance and hostility that shadowed Irish migrants to Britain in the 1970s and 80s, they expose a spectacle of belonging maintained and malformed by its systematic denial.
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Intimate portraits of everyday life and struggle in Bangladesh speak together with playful, inter-textual vignettes exploring the confluence of autobiography and radical history. Together, Naeem Mohaiemen and Molla Sagar‘s films trace how personal memory and political upheaval collide, overlap, and refract across generations.
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Educator and social theorist Tom Campbell joins us for a dynamic conversation on how disability is produced and reshaped by the transformations of modern society. Drawing on his forthcoming book Disablement in the Age of Ambivalence, Campbell mobilises Zygmunt Bauman’s concepts of solid and liquid modernity to unpack the shifting forms of power, exclusion, and moral indifference that structure disabled lives today.
From right-wing propaganda machines to the hidden labour behind “inclusive” audiences, two films by artist Jordan Lord trouble the tangled relationships between disability, labour, and national identity – asking who gets seen, heard, and valued in the American public sphere.
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Spanning Partition to contemporary Bangladesh, this programme journeys through fractured homes and unfinished films to ask how history lingers in bodies, cities, and celluloid. Between memory and the archives, the works trace disappearance, displacement, and the stubborn afterlives of images in the face of erasure.
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The quiet radiance of everyday acts emerges between a beautiful portrait of a Bangladeshi centenarian and a tender chronicle of a woman choosing a dignified death. This Focus programme touches on themes of ageing, autonomy, and what it means to inhabit—and ultimately release—the body.
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Dub Epistemology is a series of hybrid talks and live audio essays by Ashley Holmes that treat sound as both archive and method—foregrounding movement, repetition, and re-performance as tools to imagine histories that circulate, mutate, and persist through listening, replay, and versioning.
Lesley Loksi Chan’s poignant work of archival intimacy blends fragments of her research notes with the unfinished footage of Lloyd Wong, a man who documented his life living with AIDS in the early 1990s. Rough and unprocessed, her film explores the meaning of queer inheritance, of incompletion, and the act of repeated looking.
A kilted warrior crowns the New York skyline in this joyous tribute to Jesse Rae, a musician from the Scottish Borders who plugged into the electric current of Parliament-Funkadelic. From bringing 80s NYC to a standstill atop the Brooklyn Bridge to shaping seminal hits like Inside Out, Rae fused tartan swagger with transatlantic groove to craft a mythic, pluralist vision of Scotland in the key of funk!