Maltings Cinema at the Barracks
The Maltings will be undergoing re-development soon and the Maltings Cinema at the Barracks is a temporary cinema and event venue. The Barracks is an 18th Century building.
Documenting the landmark 1995 conference on lesbian and gay sexualities in the African diaspora, Shari Frilot’s seminal film captures a charged gathering of scholars, artists, and activists in dialogue. Through the voices of Essex Hemphill, Urvashi Vaid, Isaac Julien, and M. Jacqui Alexander and others, it crystallises a pivotal moment in diasporic queer history – interrogating Black and queer identity, media production, homophobia, and the contested terrain of Black nationalism.
Run Time
Stemming from Cannach MacBride and Conal McStravick’s research with video and performance artist Mikiki, this programme focuses on Collective Care and Self Care, exploring practices of inheritance, resistance, speculation and survival across generations.
Run Time
Tracing the fragile, performative labour of communication across political stages and intimate sensory worlds, two films probe how meaning is transmitted, distorted, and sustained through noise.
Run Time
Filmed in Angus, Scotland, Soft Fruit follows migrant seasonal workers on an industrial berry farm as they pick, prepare and transport crops. Candid conversations and scenes of rebellious, collective gathering appear alongside observational footage in shifting visual formats – from high-definition video to 16mm, and CGI inspired by medieval Islamic cosmography – building a layered sense of time and place.
Collaging across media, performance and the archive, two films probe the architectures—material, political, and psychic—that shape Irish identity across borders. From a punative contemporary asylum system to the miasma of surveillance and hostility that shadowed Irish migrants to Britain in the 1970s and 80s, they expose a spectacle of belonging maintained and malformed by its systematic denial.