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Eoghan Ryan (b. 1987, Dublin) engages moving image, installation, performance, puppetry, and collage to explore how power circulates socially and through mediated culture. His process involves long periods of editing; documenting a specific person, site, object, or song; and developing fable-like takes on the collective and the personal as institutions. These institutions range from states of being and nation-states to the cultivation of provisional culture, in art as in bacteria.
Selected shows, performances, and screenings have taken place at EVA International 2025, Limerick; the Irish Museum of Modern Art, Dublin; Viewmaster Projects, Maastricht; Rencontres Internationales, Paris/Berlin; Fundazione Sandretto Re Rebaudengo, Turin; The Complex, Dublin; Haus für Medienkunst Oldenburg; Centrale Fies, Dro; BFI London Film Festival and ICA London; Busan Biennale 2022; International Film Festival Rotterdam; VISIO European Programme on Artists’ Moving Images; Kunstverein Freiburg; South London Gallery; and Serralves Museum, Porto.
Carceral Jigs (2025), Circle A (2024), Doggerel (2022), A Sod State (2021), Truly Rural (2019)
Collaging across media, performance and the archive, two films probe the architectures—material, political, and psychic—that shape Irish identity across borders. From a punative contemporary asylum system to the miasma of surveillance and hostility that shadowed Irish migrants to Britain in the 1970s and 80s, they expose a spectacle of belonging maintained and malformed by its systematic denial.
