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Jordan Lord is a filmmaker, writer, and artist whose work addresses the relationships between historical and emotional debts; framing and support; access, disability, and documentary.
Their films have been shown at festivals and venues including New York Film Festival, MoMA Doc Fortnight, Walker Art Center, Union Docs, and Dokufest. Their film Shared Resources (2021) won the John Marshall Award for Contemporary Ethnographic Media at the Camden International Film Festival and the Critics Jury Prize at the Hot Springs Documentary Film Festival. They have presented solo exhibitions at Piper Keys, Artists Space, and Squeaky Wheel. Their work has been featured in publications such as Screen Slate, Filmmaker Magazine, Millennium Film Journal, Film Quarterly, and Hyperallergic.
An All-Around Feel-Good (2024), I Didn’t Set Out to Make a Film about Religion (2024), How Is It That You Frame Old Glory in Your Mouth? (2023), Prophetic Memory (Live Replay) (2021), Expressions, with Annette Carter (2021), Shared Resources (2021), Shared Resources (Partial View) (2019), After…After… (Access) (2018), I Can Hear My Mother’s Voice, with Deborah Lord (2018)
From right-wing propaganda machines to the hidden labour behind “inclusive” audiences, two films by artist Jordan Lord trouble the tangled relationships between disability, labour, and national identity – asking who gets seen, heard, and valued in the American public sphere.
