Camera Trap is a comparative video using moving images made a hundred years apart.
The Migrant Ecologies Project is a collaborative project that brings together various art practice-led inquiries into questions of culture and nature in Southeast Asia. Animistic Apparatus presents two installations—Railtrack Songmaps and Teak Road—from the Singaporean project.
Steffanie Ling (Artistic Director, Images Festival) presents Broken Clocks, a selectrospective of Vancouver-based artist Kasper Feyrer’s 16mm films originally shown as installations. By filming their sculptures as props, and the gallery installation as set, each exhibition seeps into the next, creating the causes and conditions for the next film to germinate. Feyrer’s use of ‘practical film effects’—such as physical objects and non-digital special effects made for the verisimilitude of the camera—fashion a world of techniques and materials designed to mirror our own without the pretext of permanence.
Q&A with filmmaker Kasper Feyrer
Co-presented with Images Festival
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This screening and conversation, programmed by Rabz Lansiquot, pairs dancer Zinzi Minott’s durational film works Fi Dem (2018) and Fi Dem II (2019) with Judah Attille’s Sankofa Film & Video Collective-produced Dreaming Rivers (1988) to consider lineages of Black British experimental film.
Q&A with Zinzi Minott
This programme is supported by the Independent Cinema Office as part of a forthcoming project with LUX celebrating films made in and around the Black British film workshops of the 1980s
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Films by Miko Revereza, Ayo Akingbade, Daisuke Kosugi and Jenny Brady
Ricocheting from point to point, this might lead to discovering new people, ideas and forms of communication, breeching familiar spaces, close and far. Or is it perhaps the eternal return, reconnecting us with family, compatriots or community?
Q&A with filmmakers Miko Revereza, Ayo Akingbade, Daisuke Kosugi and Jenny Brady
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Films by Dani ReStack & Sheilah ReStack, Cooper Battersby & Emily Vey Duke, Adam Khalil, Zack Khalil & Jackson Polys, Anya Tsyrlina & Sid Iandovka and Heidrun Holzfeind
History is what’s happening. It’s constantly unfurling never static and always in flux. Rather than being resigned to it, it’s incumbent upon us to shape and mould it into the gooey, slimy substance that we want our world to resemble. The time is now, the place is everywhere, all at once…
Q&A with filmmakers Emily Vey Duke, Anya Tsyrlina & Sid Iandovka and Heidrun Holzfeind
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Films by Steve Reinke, Onyeka Igwe, Rajee Samarasinghe and Ja’Tovia Gary
From Harlem to Giverny, patrilineal tales to Artaud, nature will give way to febrile artifice. What dizzying force is this—throwing us between opposites: deafening silence vs. slide-projector clicks; glitch-y celluloid vs. HD; projected futures pressed up against the archive? But there’s calm around the corner—a reprieve from the chaos of subjection. “Can I live?”, one voice enquires, rhetorically. Consider how the subtext to our fervid biopolitical project.
Q&A with filmmakers Steve Reinke and Onyeka Igwe
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Films by Deborah Stratman, Patrick Staff, Philbert Aimé Mbabazi Sharangabo, Lesley-Anne Cao, Chema García Ibarra & Ion de Sosa
‘Lazy Girl’ is an emblem of refusal. Like Hammer and Deren she moves to her own rhythm, turning resistance into art. So did Eric, a singular figure whose “proto-practice” was poetry—but he ran out of time. Marx said all politics reduces itself to the politics of time; too bad this leisurely splash in Montánchez is hardly a refusal of capitalism’s tempo but let’s kill time before it kills us.