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“The question always has been whether these stories of Hawai‘i have any worth to anyone in Gwangju, or vice versa. Furthermore, should the worth be the end of all stories? Why should one care, and how does one really care about the trouble beyond a national border, let alone the border of one’s skin? Here, does film educate about this method to care; or is it regenerating and readjusting the area of one’s skin?” —Sung Hwan Kim

Director

Run Time

25 mins

Year

2021
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Alternative Economies was made in conversation with herbalist Rasheeqa Ahmad and financial services regulator Rachel Bardiger. The film discusses the imperialist exploits of the Disney character Scrooge McDuck, and the apparently radical yet deeply compromised promises of crypto­currency. Between these two strands, possibilities for an alternative network of exchange and subsistence are sought.

Director

Country

Run Time

28 mins

Year

2021
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In Passion of Remembrance, Salad Hilowle creates a personal and evocative meditation on Black Swedish identity. Collage-like, Hilowle interlaces archive footage taken from 90s Swedish television with contemporary scenes filmed in rural and urban settings. The result is a dynamic and multi-layered work that interrogates, re-frames and reclaims blackness in Swedish culture.

Director

Country

Run Time

26 mins

Year

2020
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10 September 2021

Rajee Samarasinghe’s body of work tackles contemporary sociopolitical conditions in Sri Lanka through the scope of his own identity and the deconstruction of ethnographic practices. BFMAF 2021 presents a series of Samarasinghe’s 12 short films shot over a decade—an archive of images navigating the terrain of migration, memory, and impermanence.

12 September 2021

In La Nave, Colombian artist and first-time filmmaker Carlos Maria Romero (aka Atabey Mamasita) translates the meaning and spirit of Carnival de Barranquilla during a year in which gatherings were forbidden. Through clandestinely filmed performances with members of many different communities—indigenous, trans, queer, rural, Afro-Colombian and radical outsiders among them—Maria Romero recreates northern Colombia’s largest cultural event as an essayistic performance film, demonstrating how Carnival is a lifeblood to its many diverse participants.

12 September 2021

This screening will be accompanied with in person conversations with Éiméar McClay & Cat McClay (a body is a body is a body) and Rehana Zaman (Alternative Economies).