Douglas Seok
Douglas Seok (Chicago, 1983) is a filmmaker and cinematographer based in Seoul, South Korea. He has a master’s in digital cinema from Chicago’s DePaul University. He worked as Lee Isaac Chung’s assistant director for Lucky Life (2010) and Abigail Harm (2012). In 2015, he was the director of photography for Steve Chen’s Dream Land. All three films were presented in the Onde section of the Torino Film Festival. Turn Left Turn Right is his first feature. Recently, Seok worked as the assistant director for Lee Isaac Chung’s acclaimed Minari (2020) and as the cinematographer for Kavich Neang’s White Building (2021).
This screening will be accompanied with an in person conversation with Camara Taylor (suspiration!) and will take place at The Maltings in Berwick-upon-Tweed.
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Hailstorm is based in the Narmada valley in central India, an area with extremely low levels of groundwater. Farmers here battle for survival, pitched against the vagaries of climate change. Following the events of a freak hailstorm over four seasons, the film unfolds the vulnerability and precarity of those that are at the sharpest end of global capitalism’s rapacious greed and the furthest from its benefits. —Jemma Desai
This collection of short form work by the Cambodian filmmakers associated with the production company Anti-Archive shows the breadth and quality of their filmmaking.
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Rock Bottom Riser is an immersive, exploratory and deeply inquisitive study of an island world at sea. The film fashions a layered and heterogeneous portrait of Hawaii through its cosmogony, its uncertain future and the scattered lens of the present. Through a combination of research, observation of the islands’ landscape and conversation with many different people who call it home, artist-filmmaker Fern Silva highlights the complexity and contradictions of a place which can be understood as beautiful and serene but also under constant existential threat.