
Jordan Lord
Jordan Lord is a filmmaker, writer, and artist, working primarily in video, text, and performance. Their work addresses the relationships between historical and emotional debts, framing and support, access and documentary. Their video and performance work has been shown internationally at venues including MoMA Documentary Fortnight, Camden Arts Centre, Elizabeth Foundation for the Arts (New York), and Performance Space NY. Their solo exhibition of video work After…After… was presented at Piper Keys (London) in 2019, and a new exhibition of their video work is currently in process at Artists Space (New York). They teach at Hunter College, CUNY (New York).
This screening will be accompanied with an in person conversation with Camara Taylor (suspiration!) and will take place at The Maltings in Berwick-upon-Tweed.
Run Time
Hailstorm is based in the Narmada valley in central India, an area with extremely low levels of groundwater. Farmers here battle for survival, pitched against the vagaries of climate change. Following the events of a freak hailstorm over four seasons, the film unfolds the vulnerability and precarity of those that are at the sharpest end of global capitalism’s rapacious greed and the furthest from its benefits. —Jemma Desai
This collection of short form work by the Cambodian filmmakers associated with the production company Anti-Archive shows the breadth and quality of their filmmaking.
Run Time
Rock Bottom Riser is an immersive, exploratory and deeply inquisitive study of an island world at sea. The film fashions a layered and heterogeneous portrait of Hawaii through its cosmogony, its uncertain future and the scattered lens of the present. Through a combination of research, observation of the islands’ landscape and conversation with many different people who call it home, artist-filmmaker Fern Silva highlights the complexity and contradictions of a place which can be understood as beautiful and serene but also under constant existential threat.