Monica Maurer
Monica Maurer (Germany) is an independent filmmaker. Maurer originally studied Sociology and Communication Sciences in Munich and Berlin at University. She later worked as a journalist for several newspapers in Germany and for the US-based radical magazine “Ramparts”. Maurer has been making films since the 60s. Between 1977 and 1982 she made films in cooperation with the Palestinian Cinema Institution and the Information Department of the PRCS. Currently she is working on digitising her film archive and on a film project-in-progress entitled SHOOTING REVOLUTION. She is also a member of the Board of Archive of the Working Class Movement (AAMOD).
This screening will be accompanied with an in person conversation with Camara Taylor (suspiration!) and will take place at The Maltings in Berwick-upon-Tweed.
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Hailstorm is based in the Narmada valley in central India, an area with extremely low levels of groundwater. Farmers here battle for survival, pitched against the vagaries of climate change. Following the events of a freak hailstorm over four seasons, the film unfolds the vulnerability and precarity of those that are at the sharpest end of global capitalism’s rapacious greed and the furthest from its benefits. —Jemma Desai
This collection of short form work by the Cambodian filmmakers associated with the production company Anti-Archive shows the breadth and quality of their filmmaking.
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Rock Bottom Riser is an immersive, exploratory and deeply inquisitive study of an island world at sea. The film fashions a layered and heterogeneous portrait of Hawaii through its cosmogony, its uncertain future and the scattered lens of the present. Through a combination of research, observation of the islands’ landscape and conversation with many different people who call it home, artist-filmmaker Fern Silva highlights the complexity and contradictions of a place which can be understood as beautiful and serene but also under constant existential threat.
The Void Project looks at the effect of the absence of Palestinian visual archives on the construction of a Palestinian visual narrative. The project was founded by Palestinian documentary filmmaker, cinematographer, producer and writer Azza El-Hassan, whose documentary films mostly reflect her experience living in exile and her experience living in Palestine. In this programme, El-Hassan brings together a selection of films produced by the Palestine Film Institute in Jordan and Lebanon during the revolutionary years of Palestinian Cinema. These films are a testimony to both the history of international solidarity with Palestine, as well as the ongoing struggle for a self determined Palestinian narrative. — Jemma Desai
The screening at the Maltings will be introduced by Sheyma Buali, a programmer, producer and writer and member of the London Palestine Film Festival programming team since 2011.