Sung Hwan Kim
Sung Hwan Kim (1975, South Korea) lives and works in New York. He studied architecture at Seoul National University, followed by a BA Mathematics and Art at Williams College, Williamstown (2000), followed by a Master of Science in Visual Studies at MIT and a residency at the Rijksakademie in Amsterdam (2004–5). Over the past two decades, Kim has been producing lyrical multimedia installations, films, and performances that merge the mythological and the everyday. Kim participated in the 57th Venice Biennale and had solo exhibitions at MoMA (2021); DAAD Galerie (Berlin, 2018); Artsonje Center (Seoul, 2014); the Tanks at Tate Modern (London, 2012); Kunsthalle Basel (2011); Queens Museum (New York, 2011); Haus der Kunst (Munich, 2010).
Kim’s short film Love Before Bond was screened at BFMAF 2017.
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Join Charlotte Prodger and Laura Guy for an informal discussion.
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Bodies as markers and makers of change. Desirable and desiring, abject, vulnerable, undignified, flawed and fragile, caught between the mundane and the mythological, the domestic and the supernatural. What shines through are the social, political and emotional ramifications of corporeal transgression.
